Delivering the salt- and blood-kissed depths readers expect, this vampire tale is everything a sequel should be.

RISING

From the Dark Surf series , Vol. 2

This second installment of a new-adult series complicates matters in the dangerous world of California surfing and vampire sharks.

Despite difficult beginnings, Jake Ryder and Leilani Waters grew accustomed to the Nomads, a group of vampire sharks and protectors of the natural world of beach and waves, especially Skylar and Tristan, their friends and lovers. But while Jake is now a vampire shark himself and Leilani has largely left her old life as an FBI agent behind, the rest of the group has scattered after a bloody war with the Rogues, a cabal with a bloodier agenda. In addition to the lingering threat of Dean, the murderous, still at-large leader of the Rogues, the two have to contend with real loss and an unfolding mystery, as Skylar and Tristan have both disappeared in the aftermath, the latter presumed dead. Still, the two friends are committed to hunting down Dean, and they follow him to Hawaii. But while Leilani purely misses Tristan, her fiance, both she and Jake have doubts about what Skylar’s been up to. And there’s still more going on behind the scenes. After all, Jake got into this world in the first place to solve his best friend Cody’s murder at the hands of a former Nomad. So what will he do when he finds out that his cohort isn’t dead at all but undead? As in Zmak’s (Dark Surf, 2014) previous romantic thriller, the prose is sharp and pithy here, with plenty of surfer dialect to add personality to the writing. And with high stakes already well established, the narrative doesn’t have to make detours to establish the characters’ identities and histories in the way that the first book did. This leaves the speedy, page-turning rhythm of the chapters room to shine and the relationships space to mix and evolve. As before, there’s romance mingled into the blood and chills. In addition, the book does an excellent job of developing the players’ connections beyond those initial sparks and through further and further trials, making this sequel a real treat to read, maybe even more than the original.

Delivering the salt- and blood-kissed depths readers expect, this vampire tale is everything a sequel should be.

Pub Date: Aug. 29, 2016

ISBN: 978-0-692-67225-9

Page Count: 394

Publisher: Zmak Creative

Review Posted Online: June 19, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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