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SHOWTIME AT THE APOLLO

THE EPIC TALE OF HARLEM’S LEGENDARY THEATER

The renewal of spirit through this striking collaboration reflects the way the Apollo has renewed itself through the decades.

This graphic treatment adds a new dimension to a music book that was already hailed as a classic.

Most graphic adaptations aim to reach new generations of readers with a work that is flashier but less substantial than the original. This collaboration between Fox (In the Groove: The People Behind the Music, 1986, etc.) and illustrator Smith represents a new experience for readers, one with an immediacy and vitality that text alone might never approach. Fox’s original was published to wide acclaim in 1983; that book illuminated the significance of the Apollo to musicians and to the Harlem community, detailing how it got to be where it was and celebrating the legacy that lives on. The current project gives Fox the opportunity to update the original and to show how, in the subsequent 35 years, the venue has expanded its offerings, hosting the likes of Chris Rock and Bruce Springsteen and a memorial service for James Brown. The narrative brings readers behind the scenes to the real show backstage and to the hotel rooms where the young reporter conducted his interviews. It also highlights the visual performing styles of some of the most galvanic artists in the history of popular music. Performers who were then unknown and were launched as winners of the Apollo’s Amateur Night competition include Ella Fitzgerald, Billie Holiday, James Brown, Jimi Hendrix, Luther Vandross, and Michael Jackson. Fox and Smith effectively present the progression of entertainment styles from swing and tap dance through bebop, gospel and blues, rhythm & blues, soul, and rock. They provide an entertaining, lively narrative with profiles that match the spirit, drawings that seem as musical as the music described within the text.

The renewal of spirit through this striking collaboration reflects the way the Apollo has renewed itself through the decades.

Pub Date: Jan. 8, 2019

ISBN: 978-1-4197-3138-9

Page Count: 240

Publisher: Abrams ComicArts

Review Posted Online: Sept. 24, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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MY FRIEND DAHMER

An exemplary demonstration of the transformative possibilities of graphic narrative.

A powerful, unsettling use of the graphic medium to share a profoundly disturbing story.

If a boy is not born a monster, how does he become one? Though Backderf (Punk Rock and Trailer Parks, 2008) was once an Ohio classmate of the notorious Jeffrey Dahmer, he doesn’t try to elicit sympathy for “Jeff.” Yet he walks an emotional tightrope here, for he recognizes that someone—maybe the other kids who laughed at and with him, certainly the adults who should have recognized aberration well beyond tortured adolescence—should have done something. “To you Dahmer was a depraved fiend but to me he was a kid I sat next to in study hall and hung out with in the band room,” writes the author, whose dark narrative proceeds to show how Dahmer’s behavior degenerated from fascination with roadkill and torture of animals to repressed homosexuality and high-school alcoholism to mass murder. It also shows how he was shaken by his parents’ troubled marriage and tempestuous divorce, by his emotionally disturbed mother’s decision to move away and leave her son alone, and by the encouragement of the Jeffrey Dahmer Fan Club (with the author a charter member and ringleader) to turn the outcast into a freak show. The more that Dahmer drank to numb his life, the more oblivious adults seemed to be, letting him disappear between the cracks. “It’s my belief that Dahmer didn’t have to wind up a monster, that all those people didn’t have to die horribly, if only the adults in his life hadn’t been so inexplicably, unforgivably, incomprehensibly clueless and/or indifferent,” writes Backderf. “Once Dahmer kills, however—and I can’t stress this enough—my sympathy for him ends.”

An exemplary demonstration of the transformative possibilities of graphic narrative.

Pub Date: March 1, 2012

ISBN: 978-1-4197-0216-7

Page Count: 224

Publisher: Abrams ComicArts

Review Posted Online: Dec. 17, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE CARTOON GUIDE TO CALCULUS

This is no idiot’s guide to math, but it could be useful as a supplement to a standard course in calculus.

A tour of calculus from the polymath whose illustrated guides have illuminated a wide range of subjects, from genetics and sex to the environment and the universe.

This time out, unfortunately, Muse cartoonist Gonick’s (The Cartoon History of the Modern World, Part 2, 2009, etc.) presentation is labored, the cartoons are primarily decorative and the course is tough. To begin with, calculus requires four years of high-school math, which the author reprises in the first 50 pages. For many readers this will be a slog through algebra, trigonometry, exponentials, function theory, etc. While most texts map equations onto lines or curves on a standard x-y axis, Gonick introduces parallel lines with arrows connecting an x value on one line to its f(x) value on the parallel line. This approach is particularly unhelpful when you want to visualize, say, minute changes of position (on the y axis) over time (on the x axis). Nor does the author discuss fundamental concepts like continuity or maxima and minima until well into the chapters on the derivative and differential calculus. While he does highlight fundamental theorems and classic rules, Gonick devotes too much space to how-to manipulations like how to differentiate inverse functions. The narrative improves when the author introduces the concept of the integral as the sum of skinny rectangles under a curve, and Gonick provides many helpful, practical examples of how calculus is used.

This is no idiot’s guide to math, but it could be useful as a supplement to a standard course in calculus.

Pub Date: Jan. 1, 2012

ISBN: 978-0-06-168909-3

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 6, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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