Lush and fascinating: an essential reference for Wolfe fans and scholars.
Impressive array of primary documents, photographs, commentary and miscellany relating to the novelist’s short life and controversial career.
Mitchell, who works at the Thomas Wolfe Memorial in Asheville, N.C., is no disinterested bystander. He characterizes as “myth” the notion that the author of Look Homeward, Angel and You Can’t Go Home Again was an undisciplined genius whose literary sequoias were shaped into artful (though still sizeable) bonsai by Scribner’s editor Maxwell Perkins. The biographer defends, too, the autobiographical character of Wolfe’s fiction, arguing that “the roots of all creation in writing are fastened in autobiography.” The text begins with the writer’s birth, in 1900, proceeds chronologically to his death, in 1938, then considers his uncertain reputation today. Mitchell laments Wolfe’s absence from the contemporary academic canon, speculating that his novels’ enormous length may be somewhat to blame. The wide array of illustrations includes photographs of the author at all stages of his life (an amusing one shows him at age eight with Byronic curls), as well as images of his family, friends, literary acquaintances. A sad one captures his brother beside the bed where Wolfe lay dying of tuberculosis. Photocopies abound of all sorts of documents: undergraduate transcript, Master of Arts diploma from Harvard, contracts with Scribner’s, a sweet telegram from F. Scott Fitzgerald congratulating Wolfe on Angel, death certificate. Also reproduced are newspaper and magazine articles and reviews of Wolfe’s work, including a generous selection of reactions from the newspapers in Asheville, his hometown. Mitchell reprints long, informative passages from Wolfe’s correspondence, notebooks, stories, novels and poems. His bitter exchanges with Perkins just before Wolfe left Scribner’s for Harper & Bros. make painful reading. A brief, brisk narrative stitches it all together.
Lush and fascinating: an essential reference for Wolfe fans and scholars.Pub Date: May 7, 2007
ISBN: 978-1-933648-10-1
Page Count: 272
Publisher: Pegasus
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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