Brisk sci-fi futurism with a feline star and a positive outlook.
In a future America where intelligent, genetically modified animals are a persecuted minority, a talking cat joins a mixed-species, underground resistance movement.
By 2135, science/technology has solved many of humanity’s ills. The human population has leveled at a few billion and nuclear weapons no longer exist. Still, a ruling “Triumvirate” of corporations decides society needs a scapegoat (or scape-dog or -cat or -pig) for any discontent. It settles on “GAB” animals, different types of domestic critters, from mice on up, with Genetically Altered Brain heredity traits. Medical tinkering rendered their species supersmart and even telepathic/telekinetic. But, occupying a literal no man’s land in terms of legal rights, GAB fauna are feared and strictly regulated, with many free-roaming ones cruelly caught and exterminated. Fluffy, a female GAB cat on America’s East Coast, has lived a safe, sheltered, high-rise life with her human dad, a widowed professor. Answering psychic summonses from the animal world, Fluffy departs for adventures that lead her to furry revolutionaries (and their human allies), a Scrooge-like robotics tycoon high in the Triumvirate, bounty hunters, and a clandestine, mountain-bound “Animal U” (with distinctly New Agey overtones), where GAB beasts develop their powers and eat vegetarian fare in love and harmony. A natural disaster provides the means by which Fluffy and friends show their worth. This upbeat sci-fi novel by Myers (Making It, 2017) seems pitched to the YA demographic, despite having no juvenile characters—unless the audience counts cat and dog years. The prose stylings are serviceable enough, and readers will not find anything to threaten their rosy memories of yesteryear’s superficially similar Rats of NIMH trilogy by Robert C. O’Brien and Jane Leslie Conly. But there are some kindred spirits here, praising the animals as morally superior to the Homo sapiens, with their treacheries, drone warcraft, and global warming. The pace moves rapidly, and the length is just about right. Maybe the biggest surprise: a corporate minion surnamed Trump who isn’t particularly evil or outwardly symbolic of a certain real-life, political/capitalist dynasty.
Brisk sci-fi futurism with a feline star and a positive outlook.Pub Date: March 28, 2019
ISBN: 978-1-68433-231-1
Page Count: 146
Publisher: Black Rose Writing
Review Posted Online: March 15, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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