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THE FONT OF JASMEEN

From the Elk Riders series , Vol. 3

A darker, more grounded entry—with a royal hero—that approaches this strong saga from a new angle.

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This third volume of Neill’s (The Voyage of the Elawn, 2016, etc.) fantasy series focuses on a young prince desperate to heal the malady that makes him an outsider.

Queen Airre’ Soliegh of Antas died giving birth to Prince Haille Hillbourne. Also known as the King’s Woe, the child suffers seizures and must be bound in his crib. When Yana Yansalyl, a newly appointed member of the King’s Council, arrives at the castle, she soothes a crying Haille while storms rage outside. Eleven years later, the young prince considers Yana his foster mother, but the curse of his seizures has left him taunted and guilt-ridden. After an incident involving Katlyn Barnes, a classmate from the Academy House, Haille must work in the library as punishment. He encounters a folio that mentions the Font of Jasmeen, “a boon to those afflicted with sicknesses and maladied from birth. For those who touch its waters will be granted any wish.” He also runs into Katlyn again, who convinces him to steal the page naming the Font’s location on Morbright Mountain. Later, Haille finds his father’s letter requesting that the prince be accommodated at Master Chambridge’s home for the afflicted. Rather than face this fate, Haille and Katlyn escape Antas and journey east to find the miraculous Font. In this third Elk Riders adventure, Neill turns from his heroine Gabriella and explores the wider realm of Anthor, where armies mobilize and the legendary vigilante Avenger Red proves “the bane of child slavers.” Fans accustomed to the author’s lilting, evocative prose won’t be disappointed: “the wind made a soft whistle in the branches and summer fattened spiders spun shining webs in the windows of crypts.” This volume revels in more swordsmanship than sorcery, giving Haille’s allies Cody Youngblood, Valateen Mandaly, and the elk Adamantus a workout. The line “Man is not measured by his brawn only but how he can love and be loved by others” appears early, hinting at the tender finale.

A darker, more grounded entry—with a royal hero—that approaches this strong saga from a new angle.

Pub Date: Nov. 9, 2016

ISBN: 978-1-5391-6566-8

Page Count: 248

Publisher: CreateSpace

Review Posted Online: May 11, 2017

Kirkus Reviews Issue: June 15, 2017

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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