Fluently translated by several hands and introduced by Teffi’s biographer, Edythe Haber, these are priceless anecdotes and...
Poignant reflections of a beloved Russian humorist as she fled her homeland on the eve of Bolshevik victory.
As more of the work of Russian poet, playwright, and short story author Teffi (the nom de plume of Nadezhda Aleksandrovna Lokhvitskaya, 1872-1952) is translated, her English-language fans will certainly increase, as she is a delightful stylist, dialogist, and observer of her era. Teffi was known for her wry poetry and feuilletons published in the Russian reviews of the first decade of the 20th century (Satirikon, Russian Word), yet her sympathy toward the Bolsheviks cooled when the magazine she wrote for, New Life, became a mere party organ; she then moved to Moscow. In her subsequent travels, she did not glean that fate was favoring the Bolshevik cause. As she first fled an increasingly intolerable existence in Petrograd, she moved with the rumors of safe areas still held by the “whites,” Ukraine and the Black Sea. The stages of her journey during this precarious time make up these amusing and affecting “memories,” first published in installments between 1928 and 1930 in a Russian-language newspaper in Paris, where she finally located permanently. The work chronicles her flight from Moscow and subsequent chaotic and perilous travels to Kiev and Odessa. She was first harnessed to a Ukrainian Jewish “impresario” named Gooskin, who helped mitigate her transfer (along with other motley characters) to the Ukrainian border, and then she traveled by ship from Odessa to Novorossiysk, where all kinds of fleeing types had washed up. Finally, she arrived in Yekaterinodor, where she had agreed to do two nights of readings. Throughout, the author’s characterizations are precise and even ruthless, and she captures the tense mood of paranoia and sorrow of the refugee.
Fluently translated by several hands and introduced by Teffi’s biographer, Edythe Haber, these are priceless anecdotes and beautiful portraits of friends and acquaintances lost forever.Pub Date: May 6, 2016
ISBN: 978-1-59017-952-9
Page Count: 288
Publisher: New York Review Books
Review Posted Online: Feb. 24, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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