Like the book’s excellent introduction, which teases a reader to want to know more about this woman’s life, these...
These short stories of Russian peasants, artists and lovers show few signs of their age and much that is timeless.
Teffi, pen name of Nadezhda Alexandrovna Lokhvitskaya (1872-1952), was born in pre-revolutionary St. Petersburg and began publishing satirical articles in 1904, then mostly stories by 1911. The fiction collected here ranges from droll sketches to busy, deceptively simple human comedies and complex psychological excursions. A woman in “The Hat” tries on her old and new hats so often she leaves for a date—with a poet who has written no poetry—wearing the wrong one. In “Duty and Honour,” a woman follows a stern friend’s advice for ending an affair yet continues it by deleting a crucial “not” in her Dear John letter. In the autobiographical “Rasputin,” history and betrayal intertwine as writers gather for a dinner where one of them refuses a tryst with the great man. “The Quiet Backwater” is one of several stories that show how Teffi enriched what formerly might have been feuilletons. An old couple shares an estate’s ramshackle lodge and an understanding about a child born while he was away fighting; and the translation offers a luminous moment: “Softly rustle the reeds forgotten by the river.” History gets touched on again, lightly and darkly, in “Petrograd Monologue,” a story about food shortages during revolutionary times in which some make flatbread from face powder or window putty. The death of a sot lets the writer move slyly through the floors of his building cataloging the masks of solemnity placed over faces of scorn and indifference. Teffi’s grasp of a child’s tender sensibility is remarkable in “The Lifeless Beast,” as is her feeling for the range of love’s inner torments in “Thy Will.”
Like the book’s excellent introduction, which teases a reader to want to know more about this woman’s life, these wide-ranging, brief works whet an appetite for more of her fiction.Pub Date: Dec. 2, 2014
ISBN: 978-1-78227-037-9
Page Count: 240
Publisher: Pushkin Press
Review Posted Online: Oct. 19, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
Old-fashioned short fiction: honest, probing and moving.
One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.
Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.
Old-fashioned short fiction: honest, probing and moving.Pub Date: Nov. 12, 2013
ISBN: 978-0-06-185765-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: Aug. 31, 2013
Kirkus Reviews Issue: Sept. 15, 2013
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
