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FROM SCRATCH

A MEMOIR OF LOVE, SICILY, AND FINDING HOME

A captivating story of love lost and found.

In her literary debut, actor and TEDx speaker Locke offers a warm memoir of romance, wrenching loss, and healing.

Studying in Florence for a semester abroad, the author met Saro, a handsome Sicilian chef, whose sincerity and kindness, as well as “sultry” good looks, won her heart. “I think we could be something great,” he told her, conjuring “a vision of an us and greatness so effortlessly that it suddenly seemed as right as butter on bread. I was taken aback by his boldness, his certainty.” When Locke returned to college, Saro visited as often as he could, and finally he left his position, prospects, and—most wrenchingly—his family to move to the United States. They married hastily in New York with only a friend as witness; at a later celebration in Italy, though, his family refused to attend, disapproving of Saro’s marrying anyone but a Sicilian—especially a black American woman. Soon the author understood why Saro put off to the last minute telling his parents that he was leaving Italy to marry. Locke’s family, on the other hand, “progressive, barrier-breaking Texas black folks,” were delighted—especially her father: Boisterous and gregarious, he arrived in Italy dressed “in full Texas regalia, complete with cowboy hat, denim pants, and alligator boots.” Her family wholeheartedly “claimed him as their own,” while Saro’s family’s disapproval haunted the early years of their marriage. Locke portrays their life together as otherwise idyllic: They moved from New York to Los Angeles in order to foster her acting career, and they adopted an infant daughter—until Saro's diagnosis with a rare cancer changed everything. By then, the couple’s relationship with Saro’s parents had thawed somewhat, and when Locke and her daughter returned to Sicily to bury Saro’s ashes, they were nurtured—not only spiritually and emotionally, but with traditional, and abundant, Sicilian food. The author includes recipes at the end.

A captivating story of love lost and found.

Pub Date: May 7, 2019

ISBN: 978-1-5011-8765-0

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 15, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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