A sweet and well-paced series of urban vignettes.
A collection of short stories explores New York City across time.
Clarke (The Notorious Dream of Jesús Lázaro, 2015, etc.) returns with a volume of tales set in the Big Apple. The city is the primary connection between these stories, though many of them share a similar protagonist: middle-aged or perhaps a bit older and from a relatively well-to-do background. These guys have been working in corporate America for years as admen or attorneys. Their families leave them money and invest in their startups. “Everyone in L.A.,” the first tale in the collection, sets the tone well. A struggling novelist named Pat rides the subway and invents elaborate fictions from the scraps of conversation he overhears. Clarke writes convincing and authentic dialogue, capturing the youthful slang readers might hear on the train, but the scenario itself feels somewhat clichéd. The same can be said of the next story, “The High Line,” in which a wealthy corporate lawyer overcomes the death of his wife by helping a homeless man on the subway and seeing how the other half lives. Tales like these feel like new, if not fresh, takes on classic stories of New York by Salinger or Capote—fine company, all in all. “My Beautiful Francisco,” in particular, with its Spence School girls and polo matches in the Hamptons, is a charming homage to Salinger’s Upper East Side. But Clarke is most successful when he tackles more modern New York characters. “Thank You, Pierre-Auguste” is an appealing little love story set in gentrified Williamsburg, in which a successful sculptor falls in love with a divorcée-turned-baker and embraces new artistic media. Though a bit saccharine, it’s a timeless romance set in a fiercely contemporary situation. Similarly, “The Three-Cornered Hat” takes a 21st-century figure as its protagonist—a startup founder—and sends him on an awkward evening of tango dancing in the Meatpacking District. While Clarke may not break new ground in the vast genre of New York literature, his enjoyable collection often captures an authentic charm and should please any avid reader of stories of the city.
A sweet and well-paced series of urban vignettes.Pub Date: Nov. 1, 2017
ISBN: N/A
Page Count: 252
Publisher: Astor & Lenox
Review Posted Online: Aug. 17, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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