A lovely, smart, and haunting adventure tale.
In Gallagher’s debut YA novel, a teenage boy in Queens, New York, meets a young woman from a mysterious culture who changes his outlook on life.
James Ward leads a fairly everyday American life with a quiet family, a few friends, a few bullies, and the usual high school workload. But one day, he meets a strange teenage Irish girl named Cornelia Parsons, who lives nearby with her old-fashioned aunt, Vivien Widdershins. Almost without him realizing it, his new acquaintances slowly initiate him into a hidden world involving tribes of Celtic travelers, itinerant people with a long, secret history and laws, language, and lifestyles that are uniquely their own. Over the course of his high school year, James learns more about the travelers and becomes fascinated by their culture’s blend of rough criminality, clannish insularity, and poetic beauty. He’s soon drawn into Vivien’s struggle to establish her title as queen of the traveler people, and he becomes willing to confront great dangers. Along the way, James learns life lessons and more about his own background as he heeds the call of a new, romantic worldview. The story is highly engaging, with a varied array of nostalgic touches from different countries and periods. As a result, though, it’s sometimes difficult to gauge exactly when the story takes place, although it appears to be set in modern times. This nostalgic tone is clearly the author’s intention, and she even has characters allude to it in dialogue: “ ‘Reminiscences,” said Cornelia, rolling her R. ‘Nostalgia. What we do best.’ ” The various players are quietly but richly delineated, and their conversations ring true; James and Cornelia’s relationship is particularly strong. Indeed, the plot often takes a back seat to character development and exploration of the travelers’ secret world. This is a welcome choice, however, as Gallagher often handles it deftly. That said, readers may find themselves slowed down at times by the liberal sprinkling of pidgin English, Gaelic, Latin, and French words, used for color and literary effect.
A lovely, smart, and haunting adventure tale.Pub Date: April 30, 2017
ISBN: 978-1-60489-190-4
Page Count: 206
Publisher: Livingston Press
Review Posted Online: April 13, 2017
Kirkus Reviews Issue: June 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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