A breezy, authoritative report on the formidable culture of “[c]elebrities as billboards for fashion.”
Splashy critique of the celebrity sway over fashion.
After scrutinizing the encroachment of casual wear into the house of haute couture in her debut (The End of Fashion, 1999), seasoned Wall Street Journal fashion journalist Agins chronicles another seminal change: the onslaught of megastar-inspired product lines diluting the industry’s reputation for sartorial glitz and glamour. The author reaches back to past decades when luminaries like Gloria Swanson, Elizabeth Taylor and others cashed in on fame and “the allure of celebrity,” plugging their self-branded clothing lines, perfumes and jewelry. Fully utilizing her fashion week backstage-pass privileges, Agins provides a laundry list of saleable, self-possessed celebrity-wear, from such stars as Sean Combs, Jennifer Lopez, Justin Bieber and Lady Gaga—all best-sellers with their star power leveraged to showboat the products as must-have indulgence items. In just one of the numerous interviews from which Agins cleverly draws opinion and material, Vogue Editor-in-Chief Anna Wintour surprisingly voices the benefits of this celebrity influence. While the author doesn’t challenge the reality of someone famous increasing the revenue of a product or service just by affixing his or her name to it, she zeroes in on the ramifications of that type of affiliation. Not one to kowtow to the mesmerizing zeal of the celebrity brand, Agins’ assessments are razor-sharp and brutally honest when it comes to their blunders. She is hilariously critical of the vacuous Kardashian family and their groupies’ “souvenir shop” Dash; she then cringes at a heavily marked-down “klearance” rack of their untouched, whisper-thin duds at Sears. Though the narrative is padded with pages of floridly detailed, biographical filler, Agins is masterful at fashion speculation and engagingly weighs both the positives and negatives of an industry in which “the lines between celebrity and fashion designer have become blurred.”
A breezy, authoritative report on the formidable culture of “[c]elebrities as billboards for fashion.”Pub Date: Oct. 9, 2014
ISBN: 978-1-59240-814-6
Page Count: 304
Publisher: Gotham Books
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.
Known for her often contentious perspectives, New York Times opinion writer Weiss battles societal Jewish intolerance through lucid prose and a linear playbook of remedies.
While she was vividly aware of anti-Semitism throughout her life, the reality of the problem hit home when an active shooter stormed a Pittsburgh synagogue where her family regularly met for morning services and where she became a bat mitzvah years earlier. The massacre that ensued there further spurred her outrage and passionate activism. She writes that European Jews face a three-pronged threat in contemporary society, where physical, moral, and political fears of mounting violence are putting their general safety in jeopardy. She believes that Americans live in an era when “the lunatic fringe has gone mainstream” and Jews have been forced to become “a people apart.” With palpable frustration, she adroitly assesses the origins of anti-Semitism and how its prevalence is increasing through more discreet portals such as internet self-radicalization. Furthermore, the erosion of civility and tolerance and the demonization of minorities continue via the “casual racism” of political figures like Donald Trump. Following densely political discourses on Zionism and radical Islam, the author offers a list of bullet-point solutions focused on using behavioral and personal action items—individual accountability, active involvement, building community, loving neighbors, etc.—to help stem the tide of anti-Semitism. Weiss sounds a clarion call to Jewish readers who share her growing angst as well as non-Jewish Americans who wish to arm themselves with the knowledge and intellectual tools to combat marginalization and defuse and disavow trends of dehumanizing behavior. “Call it out,” she writes. “Especially when it’s hard.” At the core of the text is the author’s concern for the health and safety of American citizens, and she encourages anyone “who loves freedom and seeks to protect it” to join with her in vigorous activism.
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.Pub Date: Sept. 10, 2019
ISBN: 978-0-593-13605-8
Page Count: 224
Publisher: Crown
Review Posted Online: Aug. 22, 2019
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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