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FROM A SINGLE SEED

A tense, cautionary page-turner from start to finish, with well-defined protagonists and some riveting scenes.

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A young coed from a prestigious Vermont college goes missing, and the local police suspect her boyfriend is guilty of foul play in Ames’ (All about the Greater Good, 2016) chilling novel.

Eighteen-year-old Shannon Dawson disappeared after attending an off-campus party celebrating the end of the school year’s first semester. Her 20-year-old boyfriend, Keenan Brody, was also seen at the party, but nobody recalls them leaving together. Police officer Dustin Shores is “stuck” with trying to track down someone he sees as “some prima donna college student.” But after he has a phone conversation with Keenan, Dustin becomes convinced that the freshman hockey star is hiding something. All of Shannon’s friends have returned home for winter break and are scattered around the country, so Dustin conducts his first round of interviews by phone. By the time he’s able to meet with them personally in January, they’ve all been communicating with one another via texts and social media. Like the old children’s game of telephone, they begin to “remember” and report things that may or may not have happened. Ames moves the third-person narrative back and forth between the present investigation, which eventually leads to Keenan’s trial, and several months earlier, from when Shannon and Keenan first met to the fateful day of her disappearance. The author portrays Dustin as a decent cop who unconsciously transcribes witness statements with just a whiff of bias; Shannon is depicted as a normal coed, gradually testing her wings, and Keenan as a young guy ensnared in events spinning out of control. The book focuses on the frightening consequences of law enforcement officials’ tunnel vision and the pernicious influence of social media and rumor. Ames spent 12 years working in Vermont’s criminal justice system, including four as a part-time prosecutor, so she understands how the system works. In this compelling work of fiction, she lays out the steps by which even good people may be swayed by fear, subtle innuendo, and pressure to hold someone responsible for a tragedy.

A tense, cautionary page-turner from start to finish, with well-defined protagonists and some riveting scenes.

Pub Date: Nov. 28, 2016

ISBN: N/A

Page Count: 429

Publisher: Catamount Publishing

Review Posted Online: Dec. 21, 2016

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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