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YESTERDAY'S TRAIN

A RAIL ODYSSEY THROUGH MEXICAN HISTORY

An unsatisfying rail-and-plane tour of our southern neighbor, ``a nation besieged by its history.'' Pindell (A Good Place to Live, 1995, etc.) has made a minor specialty of traveling across whole nations—previously, the US and Canada—by train and reporting what he has found along the way. He has done well in English-speaking venues, but his account of his sojourn in Mexico will disappoint anyone who knows the country. Pindell announces but doesn't quite work out some idÇes fixes—for example, that Mexico is difficult to understand because it is grounded in ``ancient pre-Hispanic spirituality'' and that in Mexico ``nothing is what it seems on the surface.'' Evidently lacking Spanish (and despite his native Latin collaborator, Ram°rez Mallis, of Keene State College), Pindell concentrates on just those surface appearances, and, from Merida to Hermosillo, he interweaves an impressionistic account of fruit markets and taco stands with the kinds of historical information that one would find in an encyclopedia. That information is too often half-absorbed, and half-understood; for instance, Pindell offers a staggeringly simplistic interpretation of why the US was able to conquer the nation so quickly in the war of 1846, and he fails to grasp the import of the latter-day Zapatista uprising in the southern state of Chiapas. While trying to be a sympathetic traveler, Pindell often condescends to those he is studying; he is especially bad in dealing with Mexico's Indian population, who emerge in his account as innocent people who are universally reluctant to speak with strangers. (In fact, if you have even a smattering of Spanish, you'll find it not so hard to strike up a conversation with them.) Mexico may indeed be burdened by its history, as Pindell asserts. But what nation is not? His book fails to illuminate that history or to cast any new light on Mexico's present troubles.

Pub Date: Jan. 1, 1997

ISBN: 0-8050-3791-8

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1996

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DEAR MR. HENSHAW

Possibly inspired by the letters Cleary has received as a children's author, this begins with second-grader Leigh Botts' misspelled fan letter to Mr. Henshaw, whose fictitious book itself derives from the old take-off title Forty Ways W. Amuse a Dog. Soon Leigh is in sixth grade and bombarding his still-favorite author with a list of questions to be answered and returned by "next Friday," the day his author report is due. Leigh is disgruntled when Mr. Henshaw's answer comes late, and accompanied by a set of questions for Leigh to answer. He threatens not to, but as "Mom keeps nagging me about your dumb old questions" he finally gets the job done—and through his answers Mr. Henshaw and readers learn that Leigh considers himself "the mediumest boy in school," that his parents have split up, and that he dreams of his truck-driver dad driving him to school "hauling a forty-foot reefer, which would make his outfit add up to eighteen wheels altogether. . . . I guess I wouldn't seem so medium then." Soon Mr. Henshaw recommends keeping a diary (at least partly to get Leigh off his own back) and so the real letters to Mr. Henshaw taper off, with "pretend," unmailed letters (the diary) taking over. . . until Leigh can write "I don't have to pretend to write to Mr. Henshaw anymore. I have learned to say what I think on a piece of paper." Meanwhile Mr. Henshaw offers writing tips, and Leigh, struggling with a story for a school contest, concludes "I think you're right. Maybe I am not ready to write a story." Instead he writes a "true story" about a truck haul with his father in Leigh's real past, and this wins praise from "a real live author" Leigh meets through the school program. Mr. Henshaw has also advised that "a character in a story should solve a problem or change in some way," a standard juvenile-fiction dictum which Cleary herself applies modestly by having Leigh solve his disappearing lunch problem with a burglar-alarmed lunch box—and, more seriously, come to recognize and accept that his father can't be counted on. All of this, in Leigh's simple words, is capably and unobtrusively structured as well as valid and realistic. From the writing tips to the divorced-kid blues, however, it tends to substitute prevailing wisdom for the little jolts of recognition that made the Ramona books so rewarding.

Pub Date: Aug. 22, 1983

ISBN: 143511096X

Page Count: 133

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Aug. 1, 1983

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A CIVIL ACTION

A crash course in big-bucks tort litigation, as rich as any novel on the scene. In the mid-'70s, the small industrial town of Woburn, Mass., found itself afflicted with a plague of biblical dimensions: 12 local children, 8 of them close neighbors, had died (or were dying) of leukemia. The parents suspected the water supply, which was foul-smelling, rusty, and undrinkable, but they had no hard evidence of a link to the cancers. But in 1979, the accidental discovery of carcinogenic industrial wastes in the town's wells led the grieving parents to hire personal-injury lawyer Jan Schlichtmann, new to the profession but intoxicated with the sizable damages he'd won so far. This is magazine journalist Harr's first book, but his complex portrait of Schlichtmann is the work of a master. Egomaniacal, quixotic, workaholic, greedy, altruistic, and naive, Schlichtmann is Everylawyer, and as he allows the Woburn case to consume his practice, he almost loses his license and his life. Harr wisely downplays the dying-children angle, focusing instead on Schlichtmann's case against the two corporate Goliaths who dumped the waste: Beatrice Foods (represented by Jerome Facher of Boston's Hale & Dorr) and W.R. Grace (represented by William Cheeseman of Boston's Foley, Hoag & Eliot). Despite their white- shoe lineage, Facher and Cheeseman play dirty, withholding evidence and repeatedly seeking Schlichtmann's suspension for having filed a ``frivolous'' lawsuit. But the real villain of the story is Federal District Judge Walter J. Skinner, whose personal dislike of Schlichtmann (and camaraderie with Facher) leads him to grant the defense's motion to split the trial into two protracted phases. By the time Judge Skinner submits four incomprehensible questions to be bewildered jury, Woburn's young victims have been forgottenand the whole legal system has suffered a tragic loss. A paranoid legal thriller as readable as Grisham, but important and illuminating. (Film rights to Disney)

Pub Date: Sept. 1, 1995

ISBN: 0-394-56349-2

Page Count: 512

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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