A HAT FULL OF SKY

From the Tiffany Aching series , Vol. 2

Tiffany Aching and her loyal friends, the crazed six-inch Nac Mac Feegle, return in an outing rather less uproarious but more weighty, and thereby possibly more satisfying, than The Wee Free Men (2003). Tiffany, now 11, has left the Chalk to apprentice to a career witch. On the brink of adolescence, she has become more conscious of image, and it is this weakness that leaves her open to attack by a hiver, a parasite that seeks out the powerful, taking over their minds—and killing them in the process. It’s the Feegles to the rescue, a highly dubious enterprise. Pratchett weaves a tale that isn’t afraid to detour into biting satire or to stop and admire a mot particularly juste, but that keeps returning to the critical question of identity—how an individual must embrace her worst aspects to become her best self, how worth is found in works, not in posturing. The great chalk horse cut into the downlands becomes the metaphor for Tiffany’s understanding of this: “Taint what a horse looks like. It’s what a horse be.” By turns hilarious and achingly beautiful, this be just right. (Fiction. 12+)

Pub Date: June 1, 2004

ISBN: 0-06-058660-5

Page Count: 288

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2004

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Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

THE GIVER

From the Giver Quartet series , Vol. 1

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1993

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A carefully researched, precisely written tour de force; unforgettable and wrenching.

CODE NAME VERITY

Breaking away from Arthurian legends (The Winter Prince, 1993, etc.), Wein delivers a heartbreaking tale of friendship during World War II.

In a cell in Nazi-occupied France, a young woman writes. Like Scheherezade, to whom she is compared by the SS officer in charge of her case, she dribbles out information—“everything I can remember about the British War Effort”—in exchange for time and a reprieve from torture. But her story is more than a listing of wireless codes or aircraft types. Instead, she describes her friendship with Maddie, the pilot who flew them to France, as well as the real details of the British War Effort: the breaking down of class barriers, the opportunities, the fears and victories not only of war, but of daily life. She also describes, almost casually, her unbearable current situation and the SS officer who holds her life in his hands and his beleaguered female associate, who translates the narrative each day. Through the layers of story, characters (including the Nazis) spring to life. And as the epigraph makes clear, there is more to this tale than is immediately apparent. The twists will lead readers to finish the last page and turn back to the beginning to see how the pieces slot perfectly, unexpectedly into place.

A carefully researched, precisely written tour de force; unforgettable and wrenching. (Historical fiction. 14 & up)

Pub Date: May 15, 2012

ISBN: 978-1-4231-5219-4

Page Count: 352

Publisher: Hyperion

Review Posted Online: Feb. 15, 2012

Kirkus Reviews Issue: March 1, 2012

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