A passionately wise, spectacularly hilarious and surpassingly humane outing from a master.
Ask Tiffany Aching, and she’ll tell you: It’s not easy being a witch, especially when you’re only almost 16 years old.
It can’t be easy being Terry Pratchett, either, an author known foremost, perhaps, for his screamingly funny Discworld novels, of which this is the latest. Beneath everything he writes, however, even as he has readers howling helplessly with laughter, is a fierce, palpable love for his fellow human beings, however flawed they may be. A love that causes Tiffany over and over to square her shoulders beneath her pointy black hat and do what’s needful. He throws a lot at Tiffany, who crashed spectacularly into her calling when she armed herself with a skillet and, at the age of nine, ventured into Faerieland (which is not nearly as nice as it sounds) to steal her brother back from its Queen (The Wee Free Men, 2003). Here he challenges her with the Cunning Man, a centuries-old disembodied hatred that seeks ignorance and uses it—“Poison goes where poison’s welcome”—against witches. Themes of memory and forgetting run throughout this tale. Books preserve all memories, even the ones better consigned to oblivion. The Cunning Man is resurrected when Letitia, Tiffany’s erstwhile swain Roland’s fiancée (Pratchett confronts her with this betrayal, too) summons him inadvertently when trying to work a spell against Tiffany. But one of the Cunning Man’s MOs is wanton book burning, a calculated obliteration of memories. Witches, arguably, embody the accumulated wisdom of their craft, while the Cunning Man is a collective memory of evil. He operates by playing on fear and causing the common folk to forget what their witches have done for them. Tiffany must remember everything she’s gleaned from all the witches who have trained her to defeat him, and the key is a childhood memory the old Baron shares with her on his deathbed. It’s not all heavy stuff. Pratchett leavens Tiffany’s passage into adulthood with generous portions of assistance from the Nac Mac Feegle, the six-inch-high blue men whose love of boozin’, fightin’ and stealin’ is subordinate only to their devotion to Tiffany, their Hag o’ the Hills. When they utterly destroy the King’s Head while on an errand for Tiffany, they rebuild the pub—back-to-front, rendering it the King’s…oh, crivens, never mind. And even as he demands more and more of Tiffany—her beau engaged elsewhere, her old Baron gone, the people of the Chalk turned against her—he gives her an army of friends and someone who loves words as much as she does, someone who, like Tiffany and, one suspects, the author himself, knows that “forgiveness” sounds “like a silk handkerchief gently falling down.”
A passionately wise, spectacularly hilarious and surpassingly humane outing from a master.Pub Date: Sept. 28, 2010
ISBN: 978-0-06-143304-7
Page Count: 368
Publisher: HarperCollins
Review Posted Online: Aug. 16, 2010
Kirkus Reviews Issue: Sept. 1, 2010
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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