by Tessa Bridal ‧ RELEASE DATE: June 27, 1997
A luminously written debut novel, winner of the 1997 Milkweed Prize for Fiction, about love and ideals under siege in 1960s Uruguay. Though the story that Magda, the narrator, tells on her return to Uruguay after seven years abroad in exile is primarily a love story, it is grounded in the revolutionary politics of a particular time. In the '60s, activists, despairing of their country's totalitarianism, joined a revolutionary movement—the Tupamaros—to work covertly for the establishment of a democratic and socialist state. And though the leftist politics described here seem more often to issue more from the heart than the head, the discussions add a realistic dimension to a genre in which effusions of passion are more often the norm. Magda has returned to Uruguay because she has learned that her lover Marco is to be released from prison. She moves in with her old friend Emilia and begins to explain why she's been so long away. Magda recalls how, as the youngest in a distinguished family, she was brought up to be a young lady of traditional habits and interests; she describes lyrically the childhood pleasures of the well-to-do. But Magda also relates how she befriended the beggar Gabriela; listened as Emilia's mother talked of revolution; heard ChÇ Guevara speak, and was assaulted by the police in the subsequent riot; and admiringly watched Marco, a handsome young neighbor and soldier, attempt to help the poor. Soon a member of the Tupamaros, she spied on the US and British, was imprisoned, then eventually released only with Marco's help. But Marco, who had used his military rank as a cover for revolutionary activities, was finally arrested, and Magda fled the country. The two lovers are now reunited, but their happiness will be brief. Love and the past beautifully evoked in a faraway place, only occasionally marred by some intrusive agitprop commentary. The Uruguayan-born Bridal, now living in the US, is a writer to watch. (Author tour)
Pub Date: June 27, 1997
ISBN: 1-57131-013-4
Page Count: 300
Publisher: Milkweed
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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