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FINDING FONTAINEBLEAU

AN AMERICAN BOY IN FRANCE

Those lucky enough to have lived and attended school in Europe will love this book, and anyone heading to Paris will surely...

The author of The Piano Shop on the Left Bank (2001) returns with another celebration of France.

Carhart (Across the Endless River, 2009) was 4 when his family moved to Fontainebleau in 1954. His father was a staff officer for the headquarters of NATO command, housed in the Château de Fontainebleau. The author and his four siblings were enrolled in French schools, where they had to learn the language quickly. Carhart alternates chapters explaining the 900-year history of the chateau with delightful tales of France in the 1950s. Having returned to live in Paris as an adult, he has been lucky to meet the architect in charge of preserving Fontainebleau. The architect has shown him the attics and gutted remains, explaining the additions and changes of the various occupants, including Marie and Catherine de Medici and Napoleon III. He convincingly argues for his preference for the history-rich chateau over the more popular Versailles. Just as interesting are the stories of children’s games played at school and Sunday excursions to Paris. In the city, they explored parks and museums while their father went to his fencing matches. The family lived in a large home with an acre of garden, sufficient household help, and, most importantly, wine delivered to the back door every few weeks. Camping was a cheaper vacation for a family of seven, but spending an entire day setting up their large, nonwaterproof tent took most of the fun out of it. Carhart relates how their father thought nothing of driving on two-lane highways and narrow mountain roads in their giant American station wagon, without a sign of a guardrail. As the author tells it, everything was a lovely adventure.

Those lucky enough to have lived and attended school in Europe will love this book, and anyone heading to Paris will surely add Fontainebleau to his or her schedule.

Pub Date: May 17, 2016

ISBN: 978-0-525-42880-0

Page Count: 304

Publisher: Viking

Review Posted Online: Feb. 29, 2016

Kirkus Reviews Issue: March 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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