Helpful exercises combined with the memories of one woman's journey down the oftentimes scary and lonely path of the writer.
A woman explores her personal world of writing.
As a child, Nestor (How to Sleep Alone in a King-Size Bed: A Memoir of Starting Over, 2008) was encouraged to be a "good girl," which "often meant not talking about what was really happening." She suppressed her knowledge of her mother's alcoholism and was afraid to speak about her abortion; her fears, silence and denial of the truth made her afraid to put her thoughts down on paper, except in rare moments when she had faith in the ability to hear her inner voice. The author takes readers on the winding path of discovering her writing life as she uncovered that inner voice and found the courage to express her opinions, tackle graduate school and become a writing instructor. With honesty and humility, Nestor voices the thoughts many writers, especially female writers, often feel—the urge to write, that something that often can't be named until it appears on paper or on a computer screen but which is pushed aside for the sake of others. Woven into the threads of her writing life are moments spent with her mother, stepfather and grandmother, a woman who lived surrounded by art, food and gardening and had a unique joy for life. "Writing offers promise," writes the author. “At its best, writing comes from the wild place, from the home of the undomesticated, the untamed, the feral. The place that promises that we can bend time and space, the place beyond practicality, punctuality, and iPhones." With the use of the numerous writing exercises included at the end of each chapter, readers will unleash their own potentials and find their own wild, untamed writing voices.
Helpful exercises combined with the memories of one woman's journey down the oftentimes scary and lonely path of the writer.Pub Date: Nov. 5, 2013
ISBN: 978-1-4516-6509-3
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Oct. 2, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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