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THE BEAUTY OF THEIR DREAMS

A well-crafted family tale that fails to fully transport readers to another era.

A young, privileged couple swap their comfortable existence in early-20th-century Massachusetts for Illinois farming country in this debut historical novel.

It is 1913, and Ken Adams is just about to graduate from college. Tall, athletic, and smart, he lives in Waltham, Massachusetts, and is the grandson of Owen Adams, a local business tycoon and founder of the Adams Group, a conglomerate of ventures “devoted to exploiting new inventions.” The family thinks that Ken is primed to join the business, but he is keen to make his way independently. He is introduced to Louise Converse and is immediately smitten. When Stephen, Louise’s uncle, suggests a new life for Ken working in a bank servicing the farming community in Bloomington, Illinois, the couple seize the opportunity, marry, and travel west. The story details how Ken and Louise establish themselves in rural Illinois and start a family of their own—two boys, David and Gregory, and a girl, Catherine, who, growing older, seek their own independence. The tale is loosely tacked to a historical backdrop: The Adams family faces two world wars and the Depression. But the novel never offers enough historical details to immerse the audience in another time period. There are some beautifully nostalgic scenes that pin the narrative to early-20th-century America, such as the vignette of the milkman going about his rounds at the story’s opening: “Nicholas, the milkman, came down the street, stopping at nearly every home to leave milk in the metal boxes on front porches and retrieve empty bottles. The old horse that pulled the wagon knew every step of the route.” Yet, despite Brown’s obvious talent for descriptive writing, such passages are all too few, and on occasion the tale feels as if it could have been set at any time in modern history due to the setting being insufficiently depicted. But while the storyline may not be gripping or complex—this for the most part is a tale of everyday life—it succeeds in capturing the strengths of familial bonds, particularly those between fathers and sons. The book is absorbing but ultimately offers few surprises within the generic context of an American small-town drama set in the 20th century.

A well-crafted family tale that fails to fully transport readers to another era.

Pub Date: May 1, 2018

ISBN: 978-1-5456-2812-6

Page Count: 414

Publisher: Mill City Press

Review Posted Online: May 18, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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