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AM I A JEW?

LOST TRIBES, LAPSED JEWS, AND ONE MAN'S SEARCH FOR HIMSELF

A pleasant collection of honest, critically discriminating encounters with the Jewish faith and culture.

Men’s Journal articles editor Ross embarks on a sampling mission of Jewish experiences.

Born to Jewish parents, when the author was 9 years old, he moved with his mother, divorced and with a failed medical practice in New York City, to Mississippi. Fearing the repercussions of professing their religion in that place at that time, and not altogether comfortable with Judaism in general, she told her children to say they were Unitarians, and little of real Jewishness touched their lives. Time passed, and Ross wanted to know more about his Jewish identity. “The result has been a furtive fascination with Judaism,” he writes, “one that compels and repels in equal measure.” That ambivalence serves him well as he investigates some of the more eccentric strains of Judaism to see if they speak to him of his Jewish identity. Ross’ voice is both questioning and questing, the passion tamped but alight, and a few communities were seemingly amenable to his way in the world: Reboot, “the Jewish illuminati,” were obvious candidates, but the author wondered about their distinctive efficacy regarding identity, and a Classical Reform Congregation was enticing—liberal, principled, rooted, free of stereotypes—but its cult of synthesis interweaving Judaism and Americanism felt muddled. Ross is a fine practitioner of the kaleidoscopic research approach, but for clear reasons he was not going to join Hasidic, ultra-Orthodox or Crypto-Jewish groups. His lack of faith did not deter him, and he found meaning in contemporary Judaism’s “iconoclasm, abstract monotheism, and social justice,” and its undetectable Supreme Being.

A pleasant collection of honest, critically discriminating encounters with the Jewish faith and culture.

Pub Date: Sept. 1, 2012

ISBN: 978-1-59463-095-8

Page Count: 288

Publisher: Hudson Street/Penguin

Review Posted Online: June 16, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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