Huge, deep-delving movie-lover's delight—and as rich a novel about the metaphysics of moviemaking as has ever been—by the author of The Making of a Counter Culture and 1984's unconvincing Dreamwatcher. Sometime in the mid-1950's, UCLA student Jonathan Gates starts attending the grungy hole-in-the-wall art-film movie-house The Castle and catches up on postwar French and Italian films. A modest guy, he's taken under the wing of Clarissa Swann, who owns the theater and writes mimeographed handouts about every movie she plays (it's hard to miss strong overtones of Pauline Kael in Clare). Jonny falls spellbound by the Thirties trash films of Max Castle, the earliest of all film noir stylists, but Clare resists Castle's spell. Even so, she helps Jonny, now her lover, put together a master's thesis on Castle after she and Jonny meet the aged dwarf Lips Lipsky, who was once Castle's cameraman and has the original negatives of all of Castle's Hollywood films. Using a unique device of Lips's called a multifilter, Jonny discovers that all of Castle's films have secret scenes printed subliminally over the doctored negatives—scenes of ghastly obscenity that leave viewers feeling unclean and turned off of sex. In writing a book about Castle and reviewing silent films Castle made in Germany as a wonderchild, Jonny unearths Castle's ties to a secret order called Orphans of the Storm, or the Cathars, a heretical pre-Christian group allied to the Dark God whose doctrines aim to end mankind as a species by curbing sex for babies and putting in its place bhoga, a yogic sex practice that avoids union but is clearly terrific. Jonny's legwork leads him into the orphanages of the God of Darkness and also carries him into the Seventies' porn and gore of the Antichrist as he readies to move into television. We follow Castle's career as he works with Orson Welles on Citizen Kane and the abandoned Heart of Darkness, with John Huston on The Maltese Falcon, etc., while making his own zombie and vampire movies. The lore on cameras, lighting, editing and so on is riveting, as is the bimillennial secret doctrine of the Antichrist being fed into the movies since their beginnings (including Shirley Temple flicks). Not a horror novel.
Pub Date: May 1, 1991
ISBN: 0-671-72831-8
Page Count: -
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although it’s as shallow as the grave an inconvenient body is buried in, this thriller does offer some nastily entertaining...
A marital thriller aspiring to the Gone Girl model offers some dark surprises.
Scott is a pen name for two collaborators, one a publishing professional, the other a screenwriter, and they seem to have done their homework. The book, already optioned for a TV series, is squarely aimed at a slot in the growing list of he-said, she-said mysteries. The novel focuses on spouses Paul and Rebecca, whose almost two-decade-long marriage flounders after his contracting business fails. She’s thriving as a pharmaceutical sales rep—a convenient job for a woman with Rebecca’s raging opioid addiction. They are not a likable pair. Both are inveterate liars, Paul about his adultery, Rebecca about her drug abuse. They swing wildly between intricate, amoral scheming and profound naiveté—at several points, the only thing more incredible than one character’s lies is that the other believes them so readily. Paul’s affair with an unhappy neighbor goes sideways about the same time Rebecca’s boss faces legal problems and the disappearance of his beautiful wife, whom Rebecca detests. Someone ends up dead, of course, and Paul and Rebecca must dispose of a body. But when a hidden corpse is found, it’s not the one they buried. The book has multiple first-person narrators and a plot that weaves strands through various timelines; through its middle portion it bogs down under the weight of all that but tightens up for a fast-paced final third that accelerates past some less than believable elements.
Although it’s as shallow as the grave an inconvenient body is buried in, this thriller does offer some nastily entertaining twists.Pub Date: Jan. 22, 2019
ISBN: 978-1-5247-4452-6
Page Count: 336
Publisher: Dutton
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
Consistent suspense stumbles only in the final confrontation. Seasoned, older crime-fighter Quincy is wooden, Connor...
Gardner debuts in hardcover with a cool and mostly accomplished psychokiller tale, again following the adventures of FBI agent Pierce Quincy and private-eye Lorraine “Rainie” Connor.
Having just set herself up as a p.i. in Portland, Oregon, former cop Connor is wondering how she'll pay her bills when Quincy knocks on her door. The pair shared previous adventures, and now Quincy wants to hire Connor to reinvestigate what seems to have been the accidental death of his daughter Amanda: a reformed alcoholic who supposedly fell off the wagon, ran over a pedestrian, and then drove her Ford Explorer into a tree in Virginia. But her father thinks the death may have been arranged. Just as Connor is uncovering some clues, Quincy's ex-wife Bethie meets a handsome stranger in Philadelphia and is horribly murdered. It doesn't take long for Quincy (whose unlisted phone number is mysteriously accessible to many of the felons he's locked up) to figure out that someone from his past is out to get him and his family. The action shifts to New York, where Quincy's other daughter, Kimberly, is studying criminology and seeing a psychiatrist to try to make sense of her sister's and mother's deaths. Quincy is almost paralyzed with guilt: his zealous attention to FBI duties ruined his marriage and might have caused Amanda’s alcoholism. He and Connor believe that the psychokiller, who is a master of disguise, adept at forgery, and unusually knowledgeable about FBI procedures (could it be a jealous fellow agent Quincy inadvertently humiliated long ago?), will go after Kimberly next. Then a phone call reveals that Quincy’s father has been kidnapped from his nursing home by someone masquerading as Quincy.
Consistent suspense stumbles only in the final confrontation. Seasoned, older crime-fighter Quincy is wooden, Connor delightfully brash and spunky.Pub Date: Sept. 4, 2001
ISBN: 0-553-80238-0
Page Count: 368
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2001
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