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THE FORESTWIFE

The traditional image of the maid Marian takes on a faintly pre-Christian cast in this tale of a teenager who flees into the woods to avoid a forced marriage. Robin Hood and his men play relatively minor roles here. Young Mary and her canny nurse Agnes brave a purportedly haunted forest to reach the solitary hut of the witchlike Forestwife, Selina, only to find her dead. Agnes assumes the role, with Mary, now known as Marian the Green Lady, helping; they heal the sick, deliver babies, feed the hungry, and rescue those ill-treated by the local authorities. Agnes' rough, ne'er-do-well son Robin—er, Robert appears now and then, either wounded in fights or bringing food and news. The evil deeds of lords and officials are bruited about, but the malefactors themselves remain offstage; Tomlinson focuses on the afflicted common folk, ground down by misfortune and injustice. When Robert is hurt once again, Marian leaves the forest to nurse him; upon her return she finds Agnes dead, the Forestwife's girdle and burden left to her. Though the cast is confusingly large, the author fills it with capable women, and a gory but memorable scene in which Marian kills a deer is the story's only overt violence. Not as vivid as Robin McKinley's Outlaws of Sherwood (Greenwillow, 1986), this nonetheless puts an intriguing, female- centered twist on the legend. (Fiction. 11-15)*justify no*

Pub Date: April 1, 1995

ISBN: 0-531-09450-2

Page Count: 170

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1995

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THE CLAY MARBLE

Drawing on her experience with a relief organization on the Thai border, Ho tells the story of a Cambodian family, fleeing the rival factions of the 80's while hoping to gather resources to return to farming in their homeland. Narrator Dara, 12, and the remnants of her family have arrived at a refugee camp soon after her father's summary execution. At first, the camp is a haven: food is plentiful, seed rice is available, and they form a bond with another family- -brother Sarun falls in love with Nea, and Dara makes friends with Nea's cousin, Jantu, who contrives marvelous toys from mud and bits of scrap; made wise by adversity, Jantu understands that the process of creation outweighs the value of things, and that dead loved ones may live on in memory. The respite is brief: Vietnamese bombing disrupts the camp, and the family is temporarily but terrifyingly separated. Later, Jantu is wounded by friendly fire and doesn't survive; but her tragic death empowers Dara to confront Sarun, who's caught up in mindless militarism instigated by a charismatic leader, and persuade him to travel home with the others—to plant rice and build a family instead of waging war. Again, Ho (Rice Without Rain, 1990) skillfully shapes her story to dramatize political and humanitarian issues. The easily swayed Sarun lacks dimension, but the girls are more subtly drawn—Dara's growing courage and assertiveness are especially convincing and admirable. Touching, authentic, carefully wrought- -and with an unusually appealing jacket. (Fiction. 11-15)

Pub Date: Oct. 1, 1991

ISBN: 0-374-31340-7

Page Count: 163

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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DANIEL'S STORY

After witnessing the rising tide of anti-Semitism in Nazi Germany, Daniel is suddenly transported, at age 14, from his comfortable life in Frankfurt to a Polish ghetto, then to Auschwitz and Buchenwald—losing most of his family along the way, seeing Nazi brutality of both the casual and the calculated kind, and recording atrocities with a smuggled camera (``What has happened to me?...Who am I? Where am I going?''). Matas, explicating an exhibit of photos and other materials at the new United States Holocaust Memorial Museum, creates a convincing composite youth and experience—fictional but carefully based on survivors' accounts. It's a savage story with no attempt to soften the culpability of the German people; Daniel's profound anger is easier to understand than is his father's compassion or his sister's plea to ``chose love. Always choose love.'' Daniel survives to be reunited, after the war, with his wife-to-be, but his dying friend's last word echoes beyond the happy ending: ``Remember...'' An unusual undertaking, effectively carried out. Chronology; glossary. (Fiction. 11-14)

Pub Date: April 1, 1993

ISBN: 0-590-46920-7

Page Count: 128

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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