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THE CHIRON CONFESSION

A skillful, exciting blend of history, action, and drama set in the ancient world.

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In ancient Rome, a playwright accused of plotting against the emperor finds refuge with a secret group of Christians in this adventure novel.

Domitian, emperor of Rome, was born under a bad sign: his death is foretold in the stars, down to the day and hour. Cruel and paranoid, Domitian names himself Lord and God, feeling especially threatened by Christians, who refuse to worship him. Now, six months before the emperor’s predicted death, a secret Christian organization called the Dominium Dei (Rule of God) has been working to bring about the prophecy, harassing Domitian with espionage, kidnapping, and assassination of his officials, such as his chief astrologer. The playwright Athanasius of Athens, meanwhile, just wants to earn acclaim for his work and the love of beautiful Helena, a model for sculptors. But his life overturns when he’s falsely accused of being Chiron, “the most dangerous man in the world,” mastermind of the Dei. Athanasius is condemned to die in the arena—but, with help from unexpected benefactors, he barely escapes. He’s given a mission that takes him from Rome to John of Patmos—the last apostle—and to Asia Minor and a hidden underground Christian refuge. Who are the Dei and who is Chiron? Can Athanasius stop a war between Rome and the Church? Greanias (The War Cloud, 2016, etc.) writes an intelligent, fast-moving historical novel with nonstop action, narrow escapes, and violent encounters, as well as much food for thought. The ancient world comes alive in well-chosen details, from the mundane to the arcana of spycraft, codes, and disguises. Greasias’ characterization is vivid even for minor figures and especially so for Athanasius. As a playwright, for example, he dislikes the Book of Revelations for its “deus ex machina return of Jesus at the end of history”; he goes through a believable personal struggle and transformation over the tale’s course. The author also smartly illuminates the religious, philosophical, historical, and even economic issues that underpin the story, while never letting the pace lag.

 A skillful, exciting blend of history, action, and drama set in the ancient world.

Pub Date: May 16, 2017

ISBN: 978-0-9960040-4-6

Page Count: 386

Publisher: Atlantis Ink

Review Posted Online: March 8, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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