Mallon’s version of history is close enough to fact to revive faded memories, while his imagining of who thought and said...

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A NOVEL OF THE REAGAN YEARS

Covering a momentous several months in 1986, this is an intriguing, humorous, even catty backstage view of the Reagan presidency from an artisan of the historical novel.

Mallon (Watergate, 2012, etc.) picks up the political narrative a couple of years after his previous, Nixon-era novel. Reagan is preparing for his second summit with Gorbachev on nuclear disarmament. His wife, Nancy, who confers with her astrologer about the president’s actions and with Merv Griffin on everything else, wields considerable influence in the White House. Also perfectly coiffed and politically muscular is the $100 million widow of Averell Harriman, Pamela Digby Churchill Hayward Harriman, whose funding and machinations on the Democratic side expose the complex horse-trading ahead of that year’s midterm election. To a four-page list of historical figures, Mallon adds a few fictional ones tied mainly to the Iran-Contra spectacle and Washington’s gay insiders—dubbed the Homintern by Christopher Hitchens. The late journalist, a major character here and a subplot unto himself as he pursues the early inklings of Iran-Contra, was the dedicatee of Watergate and is described in this book’s acknowledgements as a “beloved friend.” The main plot, aside from history itself, concerns a popular president’s sudden faltering amid crises abroad and at home. Mallon doesn’t go far in plumbing the Reagan enigma that has stumped so many, but he creates revealing moments in the first couple’s marriage. Historical fiction at this high level satisfies the appetite for speculation or even titillation through restraint as much as research, and Mallon rarely overdoes it—though he seems to have a weakness for insults, as in this small sample: "Pity anyone near Teddy’s Cutty-Sarked breath during the delivery of all those aspirated aitches” (Hitchens on Edward Kennedy); “that little patent-leather martinet” (Nancy on John Tower); “a Fabergé egg that talks” (Pat Nixon on Nancy).

Mallon’s version of history is close enough to fact to revive faded memories, while his imagining of who thought and said what presents some of the coherence and delights of fiction without the excesses of those “what if” rethinks scribbled by Newt Gingrich et al.

Pub Date: Sept. 15, 2015

ISBN: 978-0-307-90792-9

Page Count: 480

Publisher: Pantheon

Review Posted Online: July 1, 2015

Kirkus Reviews Issue: July 15, 2015

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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THE NICKEL BOYS

The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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