by Thomas Mayhew Thomas Mayhew ‧ RELEASE DATE: N/A
A poignant, occasionally poetic, reflection on addiction, self-destruction, and the winding road to recovery.
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Mayhew recalls his journey from West Point nominee to addict in this story of recovery and self-discovery.
“I lost every battle I ever fought to become who I am,” writes the author, adding, “Except the last one.” From the book’s opening chapter, Mayhew’s trajectory alternates between almost reaching the pinnacles of success and subsequent spirals into self-inflicted setbacks. As a senior in high school, he had obtained the lifelong dream he’d nurtured since dressing up as a special-ops soldier for career day as a 6-year-old: a recommendation from his congressman as his standalone nominee to West Point. The nomination all but guaranteed the author’s acceptance, with the caveat that his record remains unblemished after his previous disclosure of three underage drinking tickets. It was shortly thereafter that Mayhew, during a night of high school mischief, was charged for the fourth time, putting an end to his West Point dreams and shattering his self-image. It was, as he calls it, an “Ego Death.” The rest of the book chronicles the author’s descent into addiction, drug trafficking, and mental breakdowns. Even while recounting his time spearheading a million-dollar drug-trafficking operation, Mayhew doesn’t glamorize his lifestyle, noting that every path he took “led to the devil’s doorstep.” Providing an intimate look into the cyclical nature of addiction, the author writes that he “could drink excessively and not even feel all that drunk,” yet he would wake up with “intolerable hangovers” that were only cured by more drinking. A self-described “outlier in [his] family,” Mayhew writes of how constantly comparing himself to others, be it as a high school athlete and would-be-soldier or a financially successful drug trafficker, “muted” his insecurities by giving him validation. It was not until a dramatic psychic breakdown, and an ultimatum from his wife—both of which occur in the memoir’s harrowing final chapter—that he made a deal with himself and fate to become sober.
Holding a degree in creative writing from Beloit College, Mayhew blends a raw prose style (replete with expletives) with literary panache (“My pursuit of this four-letter word felt like sparring with a ghost, as if written in invisible ink: Hope”). An interactive e-book, the memoir is linked to a website with photos, videos, text message conversations, letters, and other materials relevant to the content of each chapter. These supplements perhaps would have been more effective had they been integrated into the text itself, rather than requiring the reader to put aside the book, but they do add important visual elements that personalize the memoir’s events and authenticate some of Mayhew’s more grand claims, including the author’s miraculous survival of a high-speed reckless-driving incident. Spiritual, but not overtly religious, the author alludes to divine providence even as Mayhew makes clear his skepticism toward the organized religion that “force-fed fear-mongering via eternal damnation.” Just as profound as the author’s own journey to self-discovery is the love of his wife, Katerina, whose devotion serves as a stabilizing force throughout the book’s otherwise tumultuous narrative.
A poignant, occasionally poetic, reflection on addiction, self-destruction, and the winding road to recovery.Pub Date: N/A
ISBN: N/A
Page Count: 261
Publisher: N/A
Review Posted Online: Sept. 22, 2025
Review Program: Kirkus Indie
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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