Nail-biting fun amid near-future pseudo-science.
Planet Earth is fried and fricasseed in this wildly suspenseful post-apocalyptic action yarn only partially set deep beneath the ocean waves.
Compared to the sun-scarred humans still clinging to life topside, young biologist Jesse Baines is living well. Pacifica—the secret undersea lab nestled off the coast of San Diego where he and a community of other scientists have taken refuge after society’s collapse—is a self-sufficient oasis far from the reach of marauding cannibals. Still, Jesse can’t shake the feeling of being imprisoned in this pineapple under the sea, so he longs for a chance to ditch his cushy confines. When an unexpected disaster threatens Pacifica, he leaps at the chance to take part in a risky reconnaissance mission to recover some necessary items stored back on land. What unfolds next is all part of an ambitious plot that evokes elements of The Road and BioShock, the epic video game. Pryce’s muscular prose is relentlessly descriptive and often times even poetic in its blood and guts portrayal of a world seared into insanity. A keen sense of apprehension and anxiety consistently stokes the engines of suspense in an inexorable march toward ultimate calamity. Things only start to lag once the door is thrown open and the boogieman let out. Although artfully rendered, the main villain here is either a clichéd madman (right down to his evil genius grin), or (more generously) a loving homage to every Hollywood bad guy who’s ever plotted to take over the world. The story’s deep, dark, terrible secret, meanwhile, is a conspiracy theorist’s fantasy whirling with fears of overpopulation, global warning, genetic engineering and cloning. Some of the plot points seem a bit forced in order to facilitate the high adrenaline set pieces, while at least two other story threads are left virtually high and dry. But vividly rendered characters worth rooting for and supremely orchestrated action combine to compensate for any listing that might occur, which helps keep this semi-aquatic adventure on course to a thrilling conclusion.
Nail-biting fun amid near-future pseudo-science.Pub Date: Jan. 24, 2012
ISBN: 978-0984669103
Page Count: 386
Publisher: Cenozoic
Review Posted Online: Feb. 29, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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