A strong sci-fi double bill from a talented new writer.
In two novellas, Pryce (Unnatural Selection, 2012) depicts a reluctant human soldier marooned during an interplanetary war and a recovering addict abducted by members of a bizarre alien species.
The first novella, War Torn, is combat-oriented sci-fi with a soft center. It describes a future conflict between earthlings and the Phraaks, a vaguely birdlike extraterrestrial race, which began as a minor trade dispute but has turned into the military-industrial-social linchpin of human society. Medic Nathan Bhat enlisted for revenge after his wife died in a Phraak attack. Now he regrets it, as he’s the one non–hard-ass in a squad of genetically enhanced soldiers conditioned to react with directed violence. The squad gets shot down on a mystery world, where they’re pursued by a Phraak warship full of troops. Bhat is the only human with enough of his wits about him to perceive that the planet itself responds lethally to any display of belligerence. The second novella, Bad Trip, features a recovering heroin addict, Sarah, who’s married to the man who saved her from suicide, New York City cop Ryan. After a suicide attempt, Sarah is mysteriously teleported to the ghastly feeding grounds of aliens in another solar system, where she witnesses them using assorted humanoid species as livestock. As Ryan tries to figure out clues to her whereabouts, Sarah fights the narcotic that keeps her and the other captives docile. It would have been fabulous if these two novellas were printed back-to-back in the tradition of the cherished Ace Double sci-fi paperbacks of yesteryear, for both yarns merit attention from that genre’s followers. (The collection also includes two other, minor pieces: a short story billed as a preview of a future property and a self-promoting gag done for a flash-fiction contest.) Pryce’s considerable talents of description, characterization, and pacing, previously showcased in Unnatural Selection, burnish this collection. Both of the novellas’ stories might have been obvious and leaden in lesser hands, but Pryce keeps the jolts and twists neatly on target in both. That said, a few of the author’s choices of pop-culture references and phrases (such as “tippy toes”) seem odd in such nightmarish circumstances.
A strong sci-fi double bill from a talented new writer.Pub Date: July 2, 2014
ISBN: 978-0-9846691-2-7
Page Count: 320
Publisher: Cenozoic Publishing, Incorporated
Review Posted Online: Dec. 9, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Review Program: Kirkus Indie
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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