In sinuous, murky first fiction from ex-Harvard lit prof Richards (Imperial Archive, etc., not reviewed), the memory of Vietnam continues to plague the lives of four people who were involved in the failure, in 1973, of a massive dam built to control the mighty Mekong River. Thinking his brother, an outsider, can unravel the tangled threads of their stories, Harper, one of the four, persuades the emphatic Gailly to listen. Complex memories of other rivers and dams color each person's Vietnam connection: Harper's memories have to do with an idyllic riverside life that ended when the Monongahela was dammed, flooding his Pennsylvania home. He eventually became the commander of an armada of gunboats, patrolling the Mekong on the day the dam went into service. Petard, an American Indian and the project's chief engineer, who saved Harper's life, first became obsessed with dams when his tribe was displaced by one on the Klamath River; revenge drives him to engineering school and a career with the Bureau of Reclamation, where he quietly works to sabotage projects. Travers, a brilliant Harvard entomologist whose ideas of insect behavior fueled the Bureau's decision to dam the Mekong, finds his opposition to the dam shaped by the ancestral memories of a female Puritan forebear whose heretical notions of altruism he has unwittingly embraced. And photographer Jenna, whose images of the dam showed deep cracks where none were otherwise visible, had her feelings shaped by contact with the French dam builder Defosse, who believed that ritual human sacrifice was required to preserve a dam. Not until Gailly gets the skinny from the Bureau's director, however, can he make sense of the mix of anger, obsession, and arrogance that contributed to the dam's catastrophic failure. Often reminiscent of an exercise in multidimensional puzzle- solving, Richards's fiction debut is as alluring as it is mind- bending. Too bad that in the end the revelations accumulated here, like the imaginary dam that brought them together, fail to hold water.
Pub Date: Jan. 1, 1997
ISBN: 0-374-29662-6
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Oct. 15, 1996
Categories: GENERAL FICTION
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BOOK REVIEW
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.
That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.
More Hallmarkiana, from a shameless expert in the genre.Pub Date: Sept. 19, 2000
ISBN: 0-446-52550-2
Page Count: 352
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 2000
Categories: GENERAL FICTION
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