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LEAH, NEW HAMPSHIRE

THE COLLECTED STORIES OF THOMAS WILLIAMS

The late Williams, National Book Award winner (The Hair of Harold Roux, 1978), is here well served with a collection of 15 stories—precise acts of attention, rich with detail of New Hampshire, of family relationships, and conflicts between ordinary people, and often concerned with hunting and fishing. Many originally appeared in The New Yorker and Esquire; most were written in the 50's and 60's. Some of the best include ``The Snows of Minnesota,'' about a boy in the fifth grade forced to move with his parents from Minnesota to New Hampshire. After a snowstorm, the boy builds a secret snow fort with a series of tunnels and becomes traumatized when it's destroyed—in a lyrical finish, the sensitive father understands: ``He was trying to make Duluth.'' ``The Voyage of the Cosmogon,'' likewise, concerns a relocated eighth-grader who escapes from a suicidal mother having an affair with a married cop by creating a fantasy life related to a TV program. As in many of the pieces here, the ending is breathtaking: the mother decides against suicide only because there's something, maybe not love, between herself and her son—``a small thing among the thoughtless cruelties of the universe.'' ``Goose Pond'' is about a 56-year-old man who faces his wife's death by killing a deer with a bow and arrow, and who finally contents himself with ``the dangerous journey down the world.'' ``The Skier's Progress'' gives comeuppance to a local ski hero, while ``The Old Dancers'' lyrically elbows an elderly couple, both married for the second time, to live through the wife's illness and discover a love stronger than habit. ``Certainties,'' another hunting story, laments that ``There are few dark places left on our maps....'' John Irving introduces this collection, one of the most powerful of the year. With any luck, it will lead readers to rediscover Williams's novels.

Pub Date: May 18, 1992

ISBN: 0-688-11544-6

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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