A captivating story of passion and music.
Biography of a Jewish girl who transcended poverty and prejudice to become an illustrious violin virtuoso.
Flautist Wolf (Musical Gifts or How a Maine Fishing Village Became a Center for Great Music, 2011, etc.), co-founder of Bay Chamber Concerts and former executive director of the New England Foundation for the Arts, grew up hearing tales about his famous grandmother, Lea Luboshutz (1885-1965). Those tales—some incomplete, some contradicted by other family members’ versions of events—piqued the author’s curiosity. Urged by his mother to “tell the story,” he mined boxes of letters and clippings, archival documents, diaries, memoirs, and histories to convey, in a sensitive, perceptive biography, the improbable truth about Luboshutz and her emergence from a tumultuous world. She grew up in Odessa, where Jews were forced to live. Her father, certain that she was a musical prodigy, began violin lessons when she was 4; at the age of 5, she was performing for neighbors and at school. At 8, she won a scholarship for private lessons with a prominent teacher; at 14, she entered the Moscow Conservatory, invited by an influential musician who heard her play in Odessa. Luboshutz’s career, Wolf discovered, was punctuated by “amazing good fortune” in the form of generous patrons who provided money and support, not only to her, but also family members. Among them, none was as significant as Onissim Goldovsky, a brilliant pianist, lawyer, and writer, “a true Renaissance man” who, at the time he met 18-year-old Luboshutz, was 38 and married. She admitted being mesmerized by Goldovsky, and by 1906, she was pregnant with his child. Thereafter, the couple lived together for extended periods and had two more children, while Goldovsky continued to maintain “another domestic reality” with his unsuspecting wife. A scandalous personal life, Russia’s roiling political upheavals, and virulent anti-Semitism did not hinder Luboshutz’s career: Celebrated wherever she performed, she came to the attention of impresario Sol Hurok and immigrated to the U.S. in 1927, where her reputation soared.
A captivating story of passion and music.Pub Date: June 4, 2019
ISBN: 978-1-64313-067-5
Page Count: 336
Publisher: Pegasus
Review Posted Online: March 24, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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