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EXPLORING SPACE CITY!

HOUSTON'S HISTORIC UNDERGROUND NEWSPAPER

An engaging sampling of articles from a hip, confrontational newspaper.

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In this nonfiction collection, journalists Dreyer, Embree, Duncan, and Bishop assemble notable work from a Texas-based countercultural periodical.

The 1960s was a golden age of independent journalism in America, providing fresh, alternative perspectives on such topics as the civil rights movement, the antiwar movement, and the counterculture. AsJohn Moretta, the author of The Hippies: A 1960s History(2011), states in his introduction to this book, “No one can write a thorough history of the 1960s without an in-depth discussion of the importance of the emergence and proliferation of…the underground press.” From 1969 to 1972, the newspaper Space City! filled that niche in Houston, speaking for the bohemian scene in what was then one of the fastest-growing metropolitan areas in the United States. This book, edited by former staffers, collects some of the paper’s finest pieces of journalism, opinion, humor, and cartoon work, covering a slew of topics, including electoral politics, the Mexican American Youth Organization, local concerts by the Rolling Stones and the Velvet Underground, and hard-hitting investigations into such local institutions as the Houston Chronicleand Rice University. Sometimes the paper became a subject in its own reporting, as when a conflict with members of the Ku Klux Klan led to the bombing of the Space City!offices. The book serves as a time capsule for a distinct American moment, not only in its accounts of historical events and cultural shifts—some famous and some forgotten—but also in its highlighting of the language and mindset of the paper’s young, often radical staff. “In 1969, there was such a thing as a ‘movement’; there was a burgeoning counterculture that seemed at times almost on the verge of ‘taking over,’ ” writes reporter Victoria Smith in the paper’s final issue, adding that “for people like us it was simply Life.” It’s this blend of timeless and of-the-moment material that makes the book such a compelling document, because even in less notable pieces, readers can feel the writers trying to find the voice of their era.

An engaging sampling of articles from a hip, confrontational newspaper.

Pub Date: Oct. 29, 2021

ISBN: 978-1-312-16267-9

Page Count: 376

Publisher: Lulu.com

Review Posted Online: Jan. 16, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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