Impeccable research and crafting make a seemingly narrow topic feel infinitely important.

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THE SECRET OF CHANEL NO. 5

THE INTIMATE HISTORY OF THE WORLD'S MOST FAMOUS PERFUME

The bestselling author of The Widow Clicquot (2008) turns her attention to the world’s most iconic perfume and the fascinating woman behind it.

Much has already been written about Coco Chanel, and with good reason—not only because of her undeniable legacy, but also because of a life story usually viewed through the lens of 19th-century bildungsroman novels. Abandoned by her parents to a convent, she was a dancer at the Moulin Rouge, a mistress to the French aristocracy and an acquaintance of ruined Russian royalty—all while building the greatest fashion empire in the world. Chanel No. 5, her signature fragrance, was only a tiny part of this remarkable life. However, in the skilled hands of cultural historian Mazzeo (English/Colby Coll.), it becomes a magnificent window through which to understand her and her milieu. The author argues that the scent was the crown of Chanel’s career and that it weaves together many of the obscure pieces of her life in an intriguing way—from the passion for cleanliness that she inherited from the nuns that raised her to the seductive musks she picked up in the dressing rooms as a burlesque dancer to the almost forgotten Moscow perfumer that she learned about from a lover exiled on the Riviera. Chanel No. 5, “the scent of beautiful extravagance,” is also a perfect example of Chanel’s remarkable business sense. In explaining how decisions like using a simple apothecary bottle in place of a more ornate design or giving out samples to friends at a pre-launch party paved the road for the perfume’s market dominance, Mazzeo illuminates the greater success of the Chanel line as a whole.

Impeccable research and crafting make a seemingly narrow topic feel infinitely important.

Pub Date: Nov. 9, 2010

ISBN: 978-0-06-179101-7

Page Count: 288

Publisher: Harper/HarperCollins

Review Posted Online: July 27, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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