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MRS. ALWORTH

Beautifully written and—perhaps fittingly—over too soon.

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A brilliant young woman ponders love and death in 1920s New Jersey in Castano’s brisk novel.

When 19-year-old Amanda Bannon receives a terminal diagnosis for a chronic illness she’s battled since childhood (nameless but possibly a form of leukemia), her father, Joseph, a police captain, promises to fulfill her deepest wish: “I have to be able to do something....Anything you want, Amanda. Anything in the world.” Normally reserved and bookish, Amanda stuns her family (and it’s hinted, herself) by requesting to marry Orest Alworth, a mysterious young friend of her father’s and one of his fellow officers. Orest’s acceptance of the odd proposal (Mr. Bannon does the asking) also comes as a shock, but despite the awkwardness, wedding prep begins. The Bannons scramble to orchestrate Amanda’s last wish—albeit in the quickest, quietest way possible. Castano dusts off traditional archetypes and makes them feel new; the cast includes Cecilia, a deceptively zany single aunt; Margaret, Amanda’s critical but ever worried mother; and Elizabeth and Catherine, Amanda’s teenage sisters, who witness the first hints of Amanda’s feelings for Orest. A few plot twists feel hazy, but Castano’s writing is cinematic, with gorgeous, delicate imagery that feels true to the time period. Amanda’s deadpan observations are also consistently enjoyable throughout. In one of many dinner scenes, she verbalizes her feelings of separateness from her parents and sisters: “Wide-jawed, brown-eyed and chestnut hair, Dad and Catherine. Blonde, green-eyed and fine-boned, Mom and Elizabeth. Me? Slate-gray eyes dug up from some quarry. A head covered in an earth-colored tangle.” Amanda and Orest’s relationship takes shape slowly, more spiritual than romantic, even as interfering family members, gossip, revelations about Orest’s murky past, and the ever present specter of Amanda’s illness threaten to encroach.

Beautifully written and—perhaps fittingly—over too soon.

Pub Date: July 6, 2021

ISBN: 978-1-73438-358-4

Page Count: 226

Publisher: New Meridian Arts

Review Posted Online: Oct. 5, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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