Serge Storms (When Elves Attack, 2011, etc.) bumps it up a notch, joining a CIA operation so covert even the agency doesn’t know about it.
Convinced that he may be wasting his considerable talent for mayhem by confining himself to killing bad guys one at a time, Serge decides to go global. A day after their flight from Tampa somehow never gets off the ground, he and perma-buzzed pal Coleman drive to Miami and check into the Royal Poinciana, whose crumbling aqua trim appeals to Serge’s sense of nostalgia. He gets himself a quick gig exporting cheap souvenirs to third-world countries. But he has his eyes on a bigger prize. He and Coleman visit the consulate of Costa Gorda and offer to spy on—well, whoever needs spying on. Security kicks them to the curb, convincing Serge that they’ve been hired. After a hasty visit to Mahoney, who’s retired from an FBI career dedicated mainly to stalking Serge, the newly minted secret agents set off on a surveillance tour of pretty much anyone involved in the upcoming Meeting of the Americas Conference. (Serge does take time out to dispatch several carjackers in bizarre and painful ways, since someone has to keep the predators in check.) It isn’t long before he attracts the attention of Lugar and Oxnart, rival CIA field supervisors, each of whom suspects that Serge is the other’s secret weapon. Don’t they realize that Serge belongs to no man, having dedicated himself wholly to Truth, Justice and Florida Trivia? Dorsey’s 15th pits Serge against what may be the only folks as dysfunctional as he is: members of the international intelligence community.
Pub Date: Jan. 24, 2012
ISBN: 978-0-06-210073-3
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 22, 2012
Kirkus Reviews Issue: Feb. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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