A spirited, even adventurous look at the mysteries of how the human brain perceives and processes sound—and even, on...

BAD SINGER

THE SURPRISING SCIENCE OF TONE DEAFNESS AND HOW WE HEAR MUSIC

“I’m a bad singer. And deep down, it matters.” Falling down a rabbit hole in B-minor, Canadian science writer Falconer (Magazine Journalism/Ryerson Univ.; That Good Night: Ethicists, Euthanasia and the End-of-Life Care, 2009, etc.) explores all that bad singing entails.

The author grew up in the golden age of pop music, but he lacked the ability to carry a tune. As he writes, his siblings were similarly unable to distinguish notes and pitches, to the point where one sister could not even tune a guitar well enough to take the lessons that might have given her a fighting chance. Once grown up, Falconer marched into practice rooms and laboratories to figure out what’s taking place between the ears—and, to boot, what’s happening at the intersections of music and technology. We don’t really need to sing in order to enjoy a song, he writes, “any more than we need to paint to enjoy Vermeer or Monet or Basquiat.” But that equation doesn’t quite hold up, since we don’t gather around to group-paint but do, as Falconer notes, come together in song—or at least once did, since group songs are harder to come by, given the fragmentation of the market. Back on topic and in quest of the dulcet tone, the author examines the neurological and physical tricks that go into our ability to match pitch to voice control—to sing on key, that is, a talent not everyone has. At the far fringes of his amiable researches are amusiacs, those who for whatever reason cannot process music but few of whom admit as much lest “other people will consider them inhuman.” At the nearer edge are such wonders as software that allows even the most tone-deaf among us hit the notes, tortured though they may be in real life. So look out, Kayne….

A spirited, even adventurous look at the mysteries of how the human brain perceives and processes sound—and even, on occasion, manages to make beautiful music.

Pub Date: Feb. 14, 2017

ISBN: 978-1770894457

Page Count: 304

Publisher: House of Anansi Press

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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