Almost overripe with swampy menace, but compelling and original.
Poisonous reptiles and pitiless Mafiosi menace a man trying to redeem his shell-shocked brother and re-craft a lumberyard in 1920s Louisiana.
Far from the pleasures of the Jazz Age and the comforts of his wealthy Pittsburgh home, straight-shooting Randolph Aldridge faces evil on a scale to match the worst of the world war that drove his older brother Byron round the bend. Louisiana native Gautreaux (Welding With Children, 1999, etc.) knows his bayous and uses them to bring high tension to this story of vicious crime and equally vicious punishment. After fleeing civilization for a life in the West, Byron has turned up as a constable on the family’s lumbering operation at the end of the creaky railroads east of New Orleans. Randolph, too young to have been in the war, follows his domineering father’s orders to take over the messy operation and bring Byron back into the fold, a tall order. The roughnecks felling the ancient trees are a brutal lot who spend their wages at a Mafia owned tavern, routinely razoring each other. Byron has managed to impose a sort of legal presence, but he himself is a boozer, haunted by slaughter of the Great War. Randolph imposes order on the operation, but makes little progress with Byron, and he quickly makes enemies of the tavern owners. The little comfort to be found in this hellhole come from Randolph’s nearly white housekeeper May, whose ticket out of the swamp is to be a white child, if she can just get pregnant by one of the brothers, and then from the arrival of Randolph’s wife Lillian, who shows surprising strength, learning to shoot cottonmouths and acquiring a taste for the local cuisine. As the virgin forest shrinks, the mob comes slithering through the undergrowth and the Aldridges must face them down with a tiny force of mill hands.
Almost overripe with swampy menace, but compelling and original.Pub Date: June 1, 2003
ISBN: 0-375-41474-6
Page Count: 312
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2003
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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