An entertaining and immensely likable debut novel, set mostly in Louisiana's southwestern Gulf Stream area, from the talented Gautreaux (stories: Same Place, Same Things, 1996). When beautiful and brainy Colette Jeansomme marries good- looking Paul Thibodeaux (who's also a terrific dancer and the best damn mechanic in the pair's hometown of Tiger Island), their friends are sure it's the perfect match. But Colette tires of her unfulfilling bank teller's job and can't tolerate Paul's enthusiastic participation in the cult of Saturday night fistfighting or his habit of dancing (and, she suspects, enjoying further intimacies) with other womennot to mention his perfect satisfaction with his job (``He has no ambition,'' she complains. ``Fifty years from now he'll still be knee-deep in machine oil''). Threatening divorce, Colette flees to California, followed soon afterward by the contrite yet still feisty Paul. More complications in their stormy relationship, coupled with the inability of each to adapt to West Coast work- and life-styles, send them separately back to Tiger Island and a succession of crises (including Colette's encounter with a cottonmouth moccasin and Paul's perilous adventures both with an overheated boiler and a shrimp boat caught in a storm) that end with the two back where we know they've belonged from the beginning: together, whether they drive each other crazy or not. Though it's more than a little overplotted, Gautreaux's pitch-perfect account of the Thibodeauxes' bumpy road to love is powered by abundant energy and charm and by a townful of vividly rendered supporting characters (Paul's laconic reality instructors, his father and grandfather, lead a memorable parade of locals). And the story is set in a workingman's world that's fully, credibly, and (to the nonmechanical reader) sometimes even confusingly detailed. As a storyteller, and especially as one with such a good eye for character, Gautreaux looks like one of the best writers to have emerged in the 1990s. A fine first novel. (Author tour)
Pub Date: March 18, 1998
ISBN: 0-312-18143-4
Page Count: 352
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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