An entertaining and immensely likable debut novel, set mostly in Louisiana's southwestern Gulf Stream area, from the talented Gautreaux (stories: Same Place, Same Things, 1996). When beautiful and brainy Colette Jeansomme marries good- looking Paul Thibodeaux (who's also a terrific dancer and the best damn mechanic in the pair's hometown of Tiger Island), their friends are sure it's the perfect match. But Colette tires of her unfulfilling bank teller's job and can't tolerate Paul's enthusiastic participation in the cult of Saturday night fistfighting or his habit of dancing (and, she suspects, enjoying further intimacies) with other womennot to mention his perfect satisfaction with his job (``He has no ambition,'' she complains. ``Fifty years from now he'll still be knee-deep in machine oil''). Threatening divorce, Colette flees to California, followed soon afterward by the contrite yet still feisty Paul. More complications in their stormy relationship, coupled with the inability of each to adapt to West Coast work- and life-styles, send them separately back to Tiger Island and a succession of crises (including Colette's encounter with a cottonmouth moccasin and Paul's perilous adventures both with an overheated boiler and a shrimp boat caught in a storm) that end with the two back where we know they've belonged from the beginning: together, whether they drive each other crazy or not. Though it's more than a little overplotted, Gautreaux's pitch-perfect account of the Thibodeauxes' bumpy road to love is powered by abundant energy and charm and by a townful of vividly rendered supporting characters (Paul's laconic reality instructors, his father and grandfather, lead a memorable parade of locals). And the story is set in a workingman's world that's fully, credibly, and (to the nonmechanical reader) sometimes even confusingly detailed. As a storyteller, and especially as one with such a good eye for character, Gautreaux looks like one of the best writers to have emerged in the 1990s. A fine first novel. (Author tour)
Pub Date: March 18, 1998
ISBN: 0-312-18143-4
Page Count: 352
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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