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TITANS

Former pro-football player Green (Ruffians, 1993) fumbles his way through a second attempt at a suspense novel. The star quarterback of last year's Super Bowlwinning New York Titans, Hunter Logan is a nice guy who can be counted on by his teammates and family. What makes this dependable, straight guy place an illegal $10,000 basketball bet is a mystery (Green is apparently trying, implausibly, to create a situation from which it seems impossible for the hero to escape), but this indiscretion is documented by mobster Tony Rizzo, who has been dating the daughter of the Titans' owner in order to gain an inside edge in gambling. Tony plans to use Hunter in a point-shaving scheme that could net the mobster millions and gain him the coveted rank of godfather, now held by his uncle, Vinny Mondolffi. Tony is closely followed by FBI agent Ellis Cook, who could have implicated the Mondolffi family in a mob murder early in the book had he not blown it by flashing his badge and making himself so conspicuous that you wonder how such a dim-witted fellow made it through FBI training camp. When Hunter is trapped by Tony's threats against his wife and child, Ellis makes contact with him. Together they plot to bring down Tony, but their progress is impeded by an agent who is so obviously a rat for the mob that he might as well have been introduced as such in his first appearance. Other would-be surprises are similarly spoiled by Green's awkward use of foreshadowing, in which future elements are indicated as if with a neon sign. This is not so much a copycat of books in this genre as it is a regurgitation of commercial movies. Except for the inside look at pre-season training and pre-game breakfasts, we've seen it all before. A poor effort with yawn-inducing results.

Pub Date: Sept. 1, 1994

ISBN: 1-57036-057-X

Page Count: 464

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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