A well-researched and spirited slice of history.
An in-depth look at the events that led to the connected stories of the United States flag, the national anthem, and an important military victory.
The United States was a vulnerable young nation when the War of 1812 plunged it into conflict with Great Britain. The British navy targeted the Chesapeake Bay and the city of Baltimore for attack, both for its proximity to Washington and the shipbuilding that occurred there. Grove provides comprehensive background about both nations’ underlying military strategy. The actual story about the commission of the flag that flew over Fort McHenry is explored in great detail, as is the confluence of events that found Maryland-born attorney Francis Scott Key on a ship during battle, the aftermath of which inspired him to write the words that became the national anthem. Grove provides a page-turning narrative that enhances the familiar aspects of this story and fills in those little-known areas. He paints a full picture of Key’s attitudes toward slavery as well as of Mary Pickersgill and how she came to take on the task of making a somewhat unusual flag. In addition to details about shipbuilding and military planning, he weaves in the role of enslaved fighters who ran away to the British, who promised freedom, forming the Colonial Marines. Generous archival illustrations and the rich and varied backmatter make this a boon for fledgling historians.
A well-researched and spirited slice of history. (Nonfiction. 10-13)Pub Date: May 26, 2020
ISBN: 978-1-4197-4102-9
Page Count: 176
Publisher: Abrams
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
Bial (A Handful of Dirt, p. 299, etc.) conjures up ghostly images of the Wild West with atmospheric photos of weathered clapboard and a tally of evocative names: Tombstone, Deadwood, Goldfield, Progress, Calamity Jane, Wild Bill Hickock, the OK Corral. Tracing the life cycle of the estimated 30,000 ghost towns (nearly 1300 in Utah alone), he captures some echo of their bustling, rough-and-tumble past with passages from contemporary observers like Mark Twain: “If a man wanted a fight on his hands without any annoying delay, all he had to do was appear in public in a white shirt or stove-pipe hat, and he would be accommodated.” Among shots of run-down mining works, dusty, deserted streets, and dark eaves silhouetted against evening skies, Bial intersperses 19th-century photos and prints for contrast, plus an occasional portrait of a grizzled modern resident. He suggests another sort of resident too: “At night that plaintive hoo-hoo may be an owl nesting in a nearby saguaro cactus—or the moaning of a restless ghost up in the graveyard.” Children seeking a sense of this partly mythic time and place in American history, or just a delicious shiver, will linger over his tribute. (bibliography) (Nonfiction. 9-11)
Pub Date: Feb. 1, 2001
ISBN: 0-618-06557-1
Page Count: 48
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
In this companion to Portraits of War: Civil War Photographers and Their Work (1998), Sullivan presents an album of the prominent ships and men who fought on both sides, matched to an engrossing account of the war's progress: at sea, on the Mississippi, and along the South's well-defended coastline. In his view, the issue never was in doubt, for though the Confederacy fought back with innovative ironclads, sleek blockade runners, well-armed commerce raiders, and sturdy fortifications, from the earliest stages the North was able to seal off, and then take, one major southern port after another. The photos, many of which were made from fragile glass plates whose survival seems near-miraculous, are drawn from private as well as public collections, and some have never been published before. There aren't any action shots, since mid-19th-century photography required very long exposure times, but the author compensates with contemporary prints, plus crisp battle accounts, lucid strategic overviews, and descriptions of the technological developments that, by war's end, gave this country a world-class navy. He also profiles the careers of Matthew Brady and several less well-known photographers, adding another level of interest to a multi-stranded survey. (source notes, index) (Nonfiction. 10-13)
Pub Date: March 1, 2001
ISBN: 0-7613-1553-5
Page Count: 80
Publisher: Twenty-First Century/Millbrook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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