A dictionary-definition specimen of preaching to the choir, and one that begs yet another question: Is it unkosher to be so...
If you use Jesus as a character in a novel, do you have to pay him royalties?
It’s not spoiling the story—it’s all right there in the latter pages of the New Testament—to reveal that in LaHaye and Parshall’s (Thunder of Heaven, 2011, etc.) latest exercise in fundamentalist fiction, the brink of chaos of the title inaugurates a time when every good person on the planet can be found “worshipping and singing to the One who had ransomed them. Their Champion. Their Lord.” There’s no need to ask who the capitalized Person in question is. If you’re one of LaHaye’s legion of followers, then you won’t need to ask who supersecret agent Joshua Jordan, he of the double Old Testament moniker, is either. Jordan’s brief in this latest is to thwart the ambitions of the very, very bad secularists in power (“Let me tell you, those folks in power, including our president, really are bogeymen”) and the even worse secularist who is rising to attain world rule: “His global regulations against climate change,” the authors tell us, “have industries around the world being monitored by his environmental police.” Of course, in the fun worldview of the apocalyptic set, there’s no such thing as climate change, and anyone who hampers the desire of a corporation to do whatever it wants to is an agent of the Antichrist. When Jordan isn’t chasing after this impeccably groomed baddie, he’s jetting off to the Middle East to prep the world for the end of days. That’s work that can make a person tired, and Jordan’s wearisome banter is a mark. As with formula fiction since before the dawn of time, no one in these pages ever speaks like anyone in real life does. But why would they need to, when they’re floating rapturously up into the clouds?
A dictionary-definition specimen of preaching to the choir, and one that begs yet another question: Is it unkosher to be so ham-fisted?Pub Date: Oct. 2, 2012
ISBN: 978-0-310-31881-1
Page Count: 368
Publisher: Zondervan
Review Posted Online: Sept. 2, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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