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KEEPER OF THE MOON

A SOUTHERN BOYHOOD

A brush with death causes southern novelist McLaurin (Woodrow's Trumpet, 1989; The Acorn Plan, 1988) to reflect, with unflinching honesty and seductive, unsentimental passion, on what his North Carolina heritage has meant to him. Forget those treasured images of mint juleps and magnolia blossoms. McLaurin's Cape Fear River Valley in rural North Carolina is a land where young boys take part in breech-birthing hogs, dance excitedly around dead-drunk daddies passed out in their own vomit, refuse to eat food touched by black hands—and end up in jail, church, the military, or, most likely, dead by age 35. Raised in a two-bedroom farmhouse with four brothers, a sister, a dad who worked in a bakery and tried to raise a little money off the land, and without an indoor bathroom, McLaurin met a different fate for no better reason, he claims, than an inexplicable need to challenge himself with the unfamiliar. While his younger brothers seemed content to accept the working-class lives that awaited them, McLaurin escaped by becoming a basketball hero in high school, a Marine after graduation, a collector of poisonous snakes while working as a Pepsi salesman, and a Peace Corps volunteer after he married his second, upper-middle-class wife. Still, McLaurin remained much more a part of the rural South than apart from it, as he realized at age 36 when he was diagnosed with cancer and his family gathered around to donate the bone marrow that would save him and to offer commiseration and comfort. His gratitude is mirrored here in these unsanitized recollections of the schoolhouse cruelties, bloody cockfights, drunken brawls, gruesome deaths and suicides, and moments of beauty that make up the life he nearly lost. A powerful work—and a welcome record of a rapidly fading way of life.

Pub Date: Nov. 11, 1991

ISBN: 0-393-02996-4

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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