How a forbidden punk-rock underground fomented rebellion against totalitarian East Germany.
A translator and former Playboy staff editor and club DJ in Berlin, Mohr carefully documents a rousing, little-known Cold War story, showing how alternative culture developed in the Eastern Bloc in a similarly grass-roots fashion as elsewhere but for greater stakes. “The ethos of East Berlin punk,” he writes, “infused the city with a radical egalitarianism and a DIY approach to maintaining independence.” But during the 1980s, homegrown punks were seen as both a nuisance and threat, worthy of repression. Based in part on interviews with survivors, Mohr ably documents how regional small-scale punk scenes grew and connected nonetheless. From the start, he notes, “groups of punks started to attract attention from security forces everywhere they went.” East Germany provides a vivid backdrop to the narrative. Conformity to state-supervised existence was enforced by surveillance and informants, so punks’ embrace of abrasive music and fashion was inherently political. As the author memorializes one uncompromising early punk, “he had always hated the way his whole life was predetermined by the state.” Despite Stasi harassment and harsh prison sentences for “antisocial” acts including graffiti and subversive lyrics, punks made common cause with socially conscious churches and developed illicit performance and taping networks. Despite the state’s hostility, the punk movement was thus well-positioned to contribute to the civil unrest that fueled the Eastern Bloc’s unexpected collapse. Mohr closes by documenting how the initial punk squatters blossomed into a mass movement that helped preserve East Berlin’s dilapidated architecture. “Eastern bands,” he writes, “died off quickly after the fall of the Wall….For Eastern punks, the original enemy had been vanquished.” The author dives deep into a chronology of the ferocious early bands and committed scenesters whose rebellion carried steep risks. His writing focuses on their experiences and stays attuned to the punk ethos, only occasionally becoming rant-y or rambling.
An appealing, lively cultural history worth reading in an era of corporate punk nostalgia.Pub Date: Sept. 11, 2018
ISBN: 978-1-61620-843-1
Page Count: 384
Publisher: Algonquin
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
Categories: HISTORY | WORLD | GENERAL HISTORY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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A master storyteller’s character-driven account of a storied year in the American Revolution.
Against world systems, economic determinist and other external-cause schools of historical thought, McCullough (John Adams, 2001, etc.) has an old-fashioned fondness for the great- (and not-so-great) man tradition, which may not have much explanatory power but almost always yields better-written books. McCullough opens with a courteous nod to the customary villain in the story of American independence, George III, who turns out to be a pleasant and artistically inclined fellow who relied on poor advice; his Westmoreland, for instance, was a British general named Grant who boasted that with 5,000 soldiers he “could march from one end of the American continent to the other.” Other British officers agitated for peace, even as George wondered why Americans would not understand that to be a British subject was to be free by definition. Against these men stood arrayed a rebel army that was, at the least, unimpressive; McCullough observes that New Englanders, for instance, considered washing clothes to be women’s work and so wore filthy clothes until they rotted, with the result that Burgoyne and company had a point in thinking the Continentals a bunch of ragamuffins. The Americans’ military fortunes were none too good for much of 1776, the year of the Declaration; at the slowly unfolding battle for control over New York, George Washington was moved to despair at the sight of sometimes drunk soldiers running from the enemy and of their officers “who, instead of attending to their duty, had stood gazing like bumpkins” at the spectacle. For a man such as Washington, to be a laughingstock was the supreme insult, but the British were driven by other motives than to irritate the general—not least of them reluctance to give up a rich, fertile and beautiful land that, McCullough notes, was providing the world’s highest standard of living in 1776.
Thus the second most costly war in American history, whose “outcome seemed little short of a miracle.” A sterling account.Pub Date: June 1, 2005
ISBN: 0-7432-2671-2
Page Count: 656
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2005
Categories: GENERAL HISTORY | UNITED STATES | HISTORY
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