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RUNNING WITH THE CHAMP

MY FORTY-YEAR FRIENDSHIP WITH MUHAMMAD ALI

If you’re wondering why Ali is called “The Greatest,” this unchallenging but pleasant memoir makes for a good place to start.

An affectionate portrait of boxing legend Muhammad Ali.

Shanahan, a medical technology salesman whose job required him to be on hand during some gnarly surgeries, met Ali as a volunteer with a Chicago-area charity that put athletes together with at-risk kids from the city’s “poorest and most crime-ridden neighborhoods,” not much different from the ones surrounding the boxer’s childhood home in Louisville. He approached Ali in the fall of 1975 to enlist his help, and, somewhat to his surprise, he found Ali both willing to participate and much more affable than his tough exterior might suggest, with “a million closest friends” in the bargain. Not that Ali—as fascinated by Shanahan’s up-close looks into the body as Shanahan was in Ali (“I think he still had a hard time imagining that I started my workday looking into open chest cavities”)—wasn’t plenty tough in the ring, but this account is mostly set in the world outside the arena. Charming moments abound, as when Ali and Shanahan head out for ice cream and encounter a roomful of customers made nervous by the presence of someone so famous, to which Ali responds by waving them over and saying to one young girl, “I am Muhammad Ali, the heavyweight champion of the world, and now you can tell your children and grandchildren that you and your daddy had ice cream with me at 31 Flavors.” One example of kindness follows another, with pointed contrasts with other famous figures in Ali’s circle—Bill Cosby, for instance, who emerges looking every bit as bad as in recent headlines. One of the finest episodes goes even further, though, and finds Ali behaving as nothing short of a hero, talking a trouble Vietnam veteran out of suicide high atop a Los Angeles building.

If you’re wondering why Ali is called “The Greatest,” this unchallenging but pleasant memoir makes for a good place to start.

Pub Date: June 7, 2016

ISBN: 978-1-5011-0230-1

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 1, 2016

Kirkus Reviews Issue: May 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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