Lyricism empowers this stoner rite-of-passage saga, which also conveys a timeless pathos.

BREATH

Sun, surf and the ’70s Down Under provide the backdrop for the story of a boy’s awakening through rough sex.

Paramedic Bruce Pike and his partner answer a medical emergency call at a suburban home. In a bedroom crowded with rock-star and hot-chick posters, Bruce finds the body of a 17-year-old boy who appears to have committed suicide. But Bruce, a middle-aged dad, knows better, and the narrative turns back to his adolescence to explain how he knows. Australian author Winton (The Turning: Stories, 2005, etc.) offers a tight narrative notable for its empathetic characters and effectively spare use of shock. Growing up in the tiny outback town of Sawyer, Bruce is besotted with swimming. His quiet, orderly parents don’t dig his friendship with surf-and-diving whiz Loonie, a daredevil one year older than Bruce. Even less do they cotton to Sando, the hippie surf-stallion who becomes the boys’ guru and guide to All Things Wild. Discovering that Sando had been a star of sorts at the sport of hanging ten, they worship him even more as he takes them farther out to higher and higher waves. Equally compelling, in a more fearsome way, is Sando’s squeeze, blonde, scornful, tight-bodied Eva. She was once famous, too, the boys find out, a Snow Goddess skiing champ. As Loonie and Sando dangerously bond, Bruce falls for aloof Eva. Her tour of the mysteries of love includes introducing him to her dangerous fixation on auto-asphyxiation for maximum erotic kicks. So when paramedic Bruce examines the body of the 17-year-old suspected of killing himself, he blames thrill-gone-wrong sex. Bruce has been there, done that and emerged wiser, world-weary and chastened. Period details like Eva’s Captain Beefheart and Ravi Shankar records add verisimilitude, and Winton handles youthful angst like a hipper John Knowles.

Lyricism empowers this stoner rite-of-passage saga, which also conveys a timeless pathos.

Pub Date: June 30, 2008

ISBN: 978-0-374-11634-7

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2008

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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