by Tim Winton ‧ RELEASE DATE: June 19, 2018
Winton’s story is worthy of a Peckinpah film—and splendidly written, if disturbing to the core.
Renowned Australian novelist Winton (The Boy Behind the Curtain, 2016, etc.) turns once again to the dark side of the Antipodean dream.
Jaxie Clackton, whose very name sounds like a curse, is a poster child for teenage disaffection. As Winton’s story opens, he’s on the run. And for good reason: As that story begins to unfold, we learn that his stepfather, whom he unlovingly calls “Captain Wankbag”—“that bucket of dog sick was a bastard to both of us,” he protests to his mother, who will soon die of cancer—has wound up on the wrong side of a jacked-up car, and Jaxie fears that the good people of Monkton will assume the worst: “They’ll say I kicked the jack out from under the roo bar and crushed his head like a pig melon.” Given a long history of drunken beatings and loud arguments, the neighbors would have a point, so Jaxie lights out for the territory, where his girlfriend awaits him. First, though, Jaxie has to go to Ned Kelly and hide out for a while, which puts him in the Outback orbit of a disgraced ex-priest named Fintan who, alone with his books in a dusty camp, makes a poor hermit, given as he is to outrushing bursts of speech: “Please God, whatever I was I am no longer….All is forgotten, if not forgiven—it could have come to that. But I don’t trust the thought. I don’t know if it’s because it would be too easy or too terrible to imagine no one cares anymore.” Unaccustomed to the strange discipline of the place—Fintan even gives him a toothbrush, for heaven’s sake—Jaxie is suspicious, secretive, a short step away from violence. He has an opportunity to make use of that penchant once others discover Fintan’s whereabouts, leaving it to Jaxie to become “an instrument of God” in all his terrible wrath.
Winton’s story is worthy of a Peckinpah film—and splendidly written, if disturbing to the core.Pub Date: June 19, 2018
ISBN: 978-0-374-26232-7
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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