A deceptively mild tale about a walled city that turns overtly scary before it’s over.


When the Watcher Shakes

A man traveling the country comes across a religious commune that’s easy to enter but decidedly more difficult to leave in this debut thriller.

Feeling trapped in Florida, John leaves his girlfriend behind and hitchhikes north. He meets gas-station owner Jerry in West Virginia and plans to stick around for a bit of fishing. John’s also curious about a nearby walled city. Jerry, who says nothing about being a former resident, recommends the traveler stay away, but John can’t help himself. A gatekeeper answers his knock and lets him into Abestown, which houses an apparent sect. Residents are immediately wary of the Outsider, standing out in his loud, bright clothes and sporting an unruly ponytail and beard. But there’s definitely something strange going on: when John asks about the unmistakable train whistle, everyone tells him there’s no train or even a whistling that he repeatedly hears. Commune leader and Head Historian Rob Kai wants the townsfolk to remain devout, and even questioning the law could spark a trial most likely resulting in a punishment by death. Rob fears that John, as a representative of “the evils of the outside world,” may be infecting the people, who could, for starters, decide that they, too, hear the sound of a train. The methodical Head Historian debates evicting the Outsider—or simply killing him. Suspense in the novel initially feels muted since it’s unclear if John’s in any danger. But an unnerving atmosphere slowly creeps in. The religion, for one, is weirdly ambiguous, a Christian faith that simultaneously idolizes founder Abe and things done or said “as would please Abe.” Similarly, there are the necrolilith, an evil presence in the surrounding woods, as well as the disturbing manner in which the Council of Historians carries out a death penalty. All this menace eventually becomes more chilling as the story progresses, with Huguenin revealing some of Abestown’s inner workings and a hint of Jerry’s back story. A somewhat open ending retains an overall sense of dread, leaving a character or two’s fate in question and not expounding on Rob’s largely hidden—and frankly terrifying—ability.

A deceptively mild tale about a walled city that turns overtly scary before it’s over.

Pub Date: N/A


Page Count: -

Publisher: CreateSpace

Review Posted Online: June 14, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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