Excels in narrative quality, creativity and variety.

TO MAKE A LONG STORY SHORT

Four stories and a poem encompass themes ranging from metaphysical healing to the Holocaust.

Debut writer Patrick opens with a one-page verse voiced by a man who has forgotten how to be grateful, asking himself “is it merely human essence or just a spoiled brat that makes me this way?” Four stories follow, the shortest of which–“The Final Tip”–is a clever tale narrated by an unnamed inanimate object who, after subsisting through a dark life of horrific abuse, torture and neglect, finally finds a home on a young waitress’ dresser. Humanitarian Andrea discovers she has miraculous healing powers in “Laryngitis”–simply by reading aloud the favorite books of those who are in dire health, she brings about their swift rejuvenescence. A series of accidents cripples her abilities as the increasing demand for her assistance overwhelms her and she realizes that “there’s something bigger running our universe.” The first of Patrick’s heavily populated, novella-length entries, “Baker’s Dozen,” follows a female psychotherapist who finds her hands full with a melting pot of twelve excessively needy patients. Among them are a compulsive gambler, a junk-food junkie, an overeater, a shoplifter, a sex addict, a female narcissist, an OCD victim and a clean freak–each in a state of mental and emotional disarray. The group unites for a four-week “revival camp” in the Adirondack Mountains where the interactive melodrama has surprisingly effective results. Two homosexual German guards who fall in love during Hitler’s 1941 reign in the touching tale “Nothing Much to Write Home About”–they’re among the many desperately attempting to flee Nazi Germany for an unfettered future. Textured with authentic emotion and nail-biting suspense, Patrick saved this most impressive and complicated work for last. Considering this is the author’s debut, he already appears pleasingly accomplished.

Excels in narrative quality, creativity and variety.

Pub Date: Feb. 4, 2009

ISBN: 978-1-4392-0922-6

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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Old-fashioned short fiction: honest, probing and moving.

A PERMANENT MEMBER OF THE FAMILY

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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