An engagingly twisted family saga that begins with a unique premise but later relies on familiar thriller tropes.

Tea Cups & Tiger Claws

Three sisters battle one another for social and economic supremacy in Patrick’s debut novel.

The luxurious hillside city of Prospect Park, Calif., is known for its old money, glamorous parties and esteemed residents. In 1916, however, the eyes of America are on Ermel Sue Railer, a 16-year-old girl from the city’s most impoverished neighborhood, Yucatan Downs, better known as “Yucky D.” When Ermel gives birth to Abigail, Judith and Dorthea—the first identical triplets ever born in the United States—the national media floods into the neighborhood, and the reports catch the eye of Prospect Park’s lauded Duchess of Sarlione. The duchess goes to Yucky D to visit the babies; she becomes so enamored with them that she strikes a deal with Ermel’s husband, Jeb, to purchase the girls for herself. Although Ermel initially resists, she signs away her rights to Abigail and Judith but keeps Dorthea at the last moment, foiling Jeb’s arrangement and forfeiting the money. As the poor Dorthea grows up, the only thing she inherits from Ermel is her contentious nature. Patrick effectively uses his fiery characters to explore class mobility, whether morality and wealth can coexist, and the lengths to which people will go to spite others. “Look around, every minute of the day, every day of the year, and you’ll see the world is full of nothin’ but givers and takers,” Jeb later tells 12-year-old Dorthea. As she stares night after night at the exquisite mansions that top Prospect Park’s hill, she decides that nothing will keep her from attaining the same prestige and power as her sisters. Dorthea’s quest for power begins as petty sibling jealousy but quickly escalates into calculated sabotage, blackmail, manipulation and worse. Most of the characters’ redeeming qualities are so negligible that even when their compassion is meant to be genuine, it often feels contrived. The various mysteries that arise throughout the story are initially intriguing, but readers may find that they lack the desired shocks when finally revealed.

An engagingly twisted family saga that begins with a unique premise but later relies on familiar thriller tropes.

Pub Date: Nov. 26, 2013

ISBN: 978-0989354400

Page Count: 446

Publisher: Country Scribbler

Review Posted Online: July 11, 2014

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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