In this jarringly anti-Muslim thriller, a US stealth cruise missile veers off course during the Gulf War and lands intact in the Iranian desert, giving the government a prototype from which to develop its own cruise missiles and to take up where Saddam Hussein left off. Bakhtiar, a fundamentalist in the Iranian government, arranges to have the prime minister and his right hand man murdered. Once in power, Bakhtiar gets the Ayatollah's blessings to hit a series of oil tankers in the Gulf, making it clear that he will cut off the flow of oil to the West until Iran's economy is resuscitated. Working against him are James Duke, the pilot hero of Nightstalker (1992) and Strike of the Cobra (1993), and an ensemble cast that includes Mark Collins, a CIA agent posing as a weapons trader who is sent in to reactivate communication with ``Zenith''; a female Iranian engineer who had been sending the Agency information; U.S. Vice Admiral Nelson Zachiem III, a politically ambitious career officer eager to prove the Navy can clean up this mess with minimal help from the Air Force; and Democratic senator Paula Jenrette, whose leaks to CNN are implausibly blamed for the outbreak of the war. Rizzi is at his best describing the different airplanes, radars, and weapons and how they all work together. His understanding of Muslim fundamentalism is superficial at best, racist at worst, and although he gives lip service to his female characters' intelligence, ``Zenith'' is a damsel in distress complete with chador, and Jenrette is a soft-headed liberal with blood on her hands. Only Duke and his fellow top guns end up looking good; as everyone else fades out of the picture, they conduct a high speed chase that pits complex US military technology against the Iranians chasing Collins and ``Zenith'' across the medieval landscape. Thin plot, thinner characterizations, great techno-speak and top-gun action. (Maps and diagrams, not seen)
Pub Date: Sept. 20, 1994
ISBN: 1-55611-391-9
Page Count: 432
Publisher: Donald Fine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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